Quando un matador lascia la città per concentrarsi sulla sua musica, sua sorella gemella assume la sua identità nell'arena della corrida.Quando un matador lascia la città per concentrarsi sulla sua musica, sua sorella gemella assume la sua identità nell'arena della corrida.Quando un matador lascia la città per concentrarsi sulla sua musica, sua sorella gemella assume la sua identità nell'arena della corrida.
- Candidato a 1 Oscar
- 1 candidatura in totale
Jean Vanderwilt
- Maria Morales (as a Child)
- (as Jean Van)
Bobby Barber
- Reporter
- (non citato nei titoli originali)
Eumenio Blanco
- Cantina Patron
- (non citato nei titoli originali)
Nick Borgani
- Townsman
- (non citato nei titoli originali)
Paul Bradley
- Reporter
- (non citato nei titoli originali)
Gene Coogan
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe song "La Bamba", in the soundtrack, would be a hit record for Ritchie Valens in 1958.
- BlooperDuring Maria's bullfighting scene, bulges in her frontal shots clearly indicate that the bullfighting is being done by a male stand-in.
- Citazioni
Antonio Morales: You want to be famous, huh? Always remember, if you wish to live beyond your first fight, the bull does not stop to admire pretty pictures.
- ConnessioniReferenced in Forecast (1945)
- Colonne sonoreFantasia Mexicana
based on "El Salon Mexico"
Music by Aaron Copland
Music Adapted and Orchestrated by Johnny Green
Piano soloist André Previn
Recensione in evidenza
This film introduces Richardo Montalban and Cyd Charisse (to the American public). And it features much festive Mexican music. One of the highlights of the film is a dance where Charisse is electric--in my opinion outdoing some of the Rita Hayworth performances that preceded. Montalban strikes a dramatic figure on the dance floor, in the bull ring, and (surprisingly) at the piano. Other reviewers have wondered about his piano technique. It is just a guess, but I think he was a very good faker (not so good with the guitar). His timing is excellent and his fingering is even fairly credible. Just good enough to allow the director to linger on the keyboard more than directors usually do when non-pianists perform.
Yes the script is fairly predictable, but I found the film enjoyable. Esther Williams may not be at her best here, and the role certainly does not require a great range or dramatic power, but she is, as always, a beautiful breath of fresh air.
I am not a fan of bullfights. If all they did was tease the bull with a cape, bullfights might be purely artistic expressions of athleticism. But those portions of the fight that occur outside of the cape work are brutal and merely sad. Fortunately, this film only deals with the cape work. As such, I found the scenes in the ring interesting. How many times can you watch a bull charge at a cape before it become boring and repetitive? Usually, only a few times. But this film illustrates the variations in cape work and the daring of the matadors.
Yes the script is fairly predictable, but I found the film enjoyable. Esther Williams may not be at her best here, and the role certainly does not require a great range or dramatic power, but she is, as always, a beautiful breath of fresh air.
I am not a fan of bullfights. If all they did was tease the bull with a cape, bullfights might be purely artistic expressions of athleticism. But those portions of the fight that occur outside of the cape work are brutal and merely sad. Fortunately, this film only deals with the cape work. As such, I found the scenes in the ring interesting. How many times can you watch a bull charge at a cape before it become boring and repetitive? Usually, only a few times. But this film illustrates the variations in cape work and the daring of the matadors.
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Dettagli
- Tempo di esecuzione1 ora 44 minuti
- Proporzioni
- 1.37 : 1
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