Quando un matador lascia la città per concentrarsi sulla sua musica, sua sorella gemella assume la sua identità nell'arena della corrida.Quando un matador lascia la città per concentrarsi sulla sua musica, sua sorella gemella assume la sua identità nell'arena della corrida.Quando un matador lascia la città per concentrarsi sulla sua musica, sua sorella gemella assume la sua identità nell'arena della corrida.
- Candidato a 1 Oscar
- 1 candidatura in totale
Jean Vanderwilt
- Maria Morales (as a Child)
- (as Jean Van)
Bobby Barber
- Reporter
- (non citato nei titoli originali)
Eumenio Blanco
- Cantina Patron
- (non citato nei titoli originali)
Nick Borgani
- Townsman
- (non citato nei titoli originali)
Paul Bradley
- Reporter
- (non citato nei titoli originali)
Gene Coogan
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe song "La Bamba", in the soundtrack, would be a hit record for Ritchie Valens in 1958.
- BlooperDuring Maria's bullfighting scene, bulges in her frontal shots clearly indicate that the bullfighting is being done by a male stand-in.
- Citazioni
Antonio Morales: You want to be famous, huh? Always remember, if you wish to live beyond your first fight, the bull does not stop to admire pretty pictures.
- ConnessioniReferenced in Forecast (1945)
- Colonne sonoreFantasia Mexicana
based on "El Salon Mexico"
Music by Aaron Copland
Music Adapted and Orchestrated by Johnny Green
Piano soloist André Previn
Recensione in evidenza
Twins who grow up to be Esther Williams and Ricardo Montalban are born to Mexico's top matador Fortunio Bonanova and wife Mary Astor. Of course it's the father's dream that Montalban succeed him in the ring, but Ricardo is interested in music and is a pianist and composer. But Esther's something of a tomboy and she likes showing off in the bull ring every now and then. That is the basis for the plot of Fiesta which introduced Ricardo Montalban to the American cinema.
Though Esther takes only a small dip in the water and barely gets wet, Fiesta is a decent enough film for her even though her specialty is not really promoted. What's really promoted is Cyd Charisse who plays Montalban's girlfriend and who does some fine dancing. Also promoted is a piano concerto by Aaron Copland, Montalban's masterpiece which convinces music maestro Hugo Haas that Montalban belongs behind a piano not in front of a bull. When he's in the latter position his head's just not in the game and that can be fatal for a matador.
Since Fiesta is classified as a musical I was disappointed that John Carroll who plays a scientist and is courting Williams was not given a song in the film. Doubly disappointed because in another Latin role in Rio Rita Carroll did get to sing in that opposite Kathryn Grayson. He had a good baritone and should have sang more often in films. Possibly a number for him was cut.
Though it's hardly in the front rank of Esther Williams films, Fiesta is a good programmer for MGM and for her as well.
Though Esther takes only a small dip in the water and barely gets wet, Fiesta is a decent enough film for her even though her specialty is not really promoted. What's really promoted is Cyd Charisse who plays Montalban's girlfriend and who does some fine dancing. Also promoted is a piano concerto by Aaron Copland, Montalban's masterpiece which convinces music maestro Hugo Haas that Montalban belongs behind a piano not in front of a bull. When he's in the latter position his head's just not in the game and that can be fatal for a matador.
Since Fiesta is classified as a musical I was disappointed that John Carroll who plays a scientist and is courting Williams was not given a song in the film. Doubly disappointed because in another Latin role in Rio Rita Carroll did get to sing in that opposite Kathryn Grayson. He had a good baritone and should have sang more often in films. Possibly a number for him was cut.
Though it's hardly in the front rank of Esther Williams films, Fiesta is a good programmer for MGM and for her as well.
- bkoganbing
- 13 giu 2013
- Permalink
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