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Dopo l'uccisione di suo marito da parte del fuoco amico durante un raid della polizia, la dottoressa Carole Nelson cerca di trovare il gangster Joe Gurney per riabilitare il suo nome con la ... Leggi tuttoDopo l'uccisione di suo marito da parte del fuoco amico durante un raid della polizia, la dottoressa Carole Nelson cerca di trovare il gangster Joe Gurney per riabilitare il suo nome con la commissione medica.Dopo l'uccisione di suo marito da parte del fuoco amico durante un raid della polizia, la dottoressa Carole Nelson cerca di trovare il gangster Joe Gurney per riabilitare il suo nome con la commissione medica.
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Lo sapevi?
- QuizHumphrey Bogart was given top billing, in part, to further humiliate Kay Francis, whose $200,000 annual salary and declining popularity had become a sore spot for Warner boss Jack L. Warner. Aware of the motives, Bogie was unhappy that he was being used as a pawn in order to humiliate Francis in front of the public that had once admired her. After years of struggling as a relatively-unknown actor in B-films, he considered achieving his second top billing this way to be more salt in the wound. (He had been top billed in Black Legion two years earlier.)
- BlooperAs the film progresses, it seems the main reason why Carole (Kay Francis) wants revenge on Joe (Humphrey Bogart), the death of her husband, is completely forgotten. Instead, the focus becomes Carole saving her new love interest Bill from Joe and the gang.
Initial motivations often evolve in movies (as in life itself); this type of change does not constitute a Goof.
- Citazioni
Bill Stevens: What you want is a ghost writer.
Joe Gurney: Nah no mystery stuff, just plain facts.
- ConnessioniFeatured in Hollywood and the Stars: The Man Called Bogart (1963)
- Colonne sonoreJezebel
(1938) (uncredited)
Music by Harry Warren
Played when Joe receives the telephone call before the operation
Recensione in evidenza
In an effort to elevate Humphrey Bogart's star and get rid of Kay Francis, Warners remade Dr. Socrates, giving the good doctor a sex change and making him Kay Francis instead. However, Bogart gets top billing and Francis' role was reduced. It didn't work; Francis kept plodding along until the end of her contract. Also, I still felt she came across as the star in this.
Francis plays a doctor whose husband starts picking up easy money repairing the wounds of gangsters and not reporting on their illegal activities. Eventually, he is killed in a raid, and the police are convinced that Francis was in on it with her husband. Unless she can prove her innocence, she's going to lose her medical license. When she gets a lead on the gang's whereabouts, she sets up shop in the same town.
It's really hard to believe this movie came out in 1939 - it has the look and feel of something done about five years earlier. Bogart is good as a cocky and violent criminal who trusts no one and is too fast with a gun. Stardom is just ahead for the actor, as well as lots less of films like this.
Francis was past the magic age of 30 by this time, and her big star, big film days were behind her. She would soon fall to second leads and eventually move over to Monogram for several films, and, after a couple of early TV appearances, would retire. Everything about Francis embodies the strong '30s career woman, and it's hard to picture her out of the era. She does a great job in this as a determined, classy woman who has to use her wits to get out of a bad situation. An eminently watchable actress.
Worth seeing for Francis and Bogart just before his great career takes off.
Francis plays a doctor whose husband starts picking up easy money repairing the wounds of gangsters and not reporting on their illegal activities. Eventually, he is killed in a raid, and the police are convinced that Francis was in on it with her husband. Unless she can prove her innocence, she's going to lose her medical license. When she gets a lead on the gang's whereabouts, she sets up shop in the same town.
It's really hard to believe this movie came out in 1939 - it has the look and feel of something done about five years earlier. Bogart is good as a cocky and violent criminal who trusts no one and is too fast with a gun. Stardom is just ahead for the actor, as well as lots less of films like this.
Francis was past the magic age of 30 by this time, and her big star, big film days were behind her. She would soon fall to second leads and eventually move over to Monogram for several films, and, after a couple of early TV appearances, would retire. Everything about Francis embodies the strong '30s career woman, and it's hard to picture her out of the era. She does a great job in this as a determined, classy woman who has to use her wits to get out of a bad situation. An eminently watchable actress.
Worth seeing for Francis and Bogart just before his great career takes off.
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- Tempo di esecuzione1 ora 7 minuti
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- Proporzioni
- 1.37 : 1
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