VALUTAZIONE IMDb
6,7/10
810
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.
- Vincitore di 1 Oscar
- 1 vittoria in totale
Eddie Acuff
- Second Bus Driver
- (non citato nei titoli originali)
Maude Allen
- Woman
- (non citato nei titoli originali)
Dorothy Appleby
- Waitress
- (non citato nei titoli originali)
Jane Barnes
- Waitress
- (non citato nei titoli originali)
Georgie Billings
- Boy Hiding From Policeman
- (non citato nei titoli originali)
Gladys Blake
- Tenement Resident
- (non citato nei titoli originali)
Stanley Blystone
- First Bus Driver
- (non citato nei titoli originali)
Wade Boteler
- Policeman at Pier
- (non citato nei titoli originali)
Harry C. Bradley
- Reverend Mr. Morris
- (non citato nei titoli originali)
Helen Brown
- Waitress
- (non citato nei titoli originali)
Sonny Bupp
- Boy Hiding from Policeman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAfter the movie came out, author James M. Cain sued Universal Pictures and director John M. Stahl for copyright violation. Although the movie was based on Cain's novel, "A Modern Cinderella," Cain claimed the filmmakers had stolen the scene where the two lovers take refuge in a church during a storm from his 1937 novel, "Serenade." Screenwriter Dwight Taylor admitted he'd taken the concept of the church scene from "Serenade," but had written an entirely new scene for the movie. The judge in the case ruled against Cain, saying there were significant differences between the book and movie scenes. The case established the legal principle of "scènes à faire" ("scenes to be written"), which states that certain concepts, settings, and devices (i.e. spy gadgets in spy novels) appear in multiple works of fiction and are therefore not subject to copyright laws. Today, the concept of "scènes à faire" is often used in software copyright cases, where certain types of programs, files, and variables appear in all software packages and cannot be copyrighted.
- ConnessioniRemade as Interludio (1957)
- Colonne sonoreYankee Doodle
Traditional
Played by the busboys at the labor meeting
Recensione in evidenza
While not as big and splashy as their pairing in "Love Affair" released the same year, Irene Dunne and Charles Boyer star in what is rather a "small" film. "When Tomorrow Comes" is a tale of unrequited love between two people who because of the man being bound to a mentally ill wife can never be together. Irene Dunne convincingly plays an underemployed ordinary working gal, one who aspires to be a singer but who is stuck toiling the days away as a waitress. Her character bonds with Boyer's character by disobeying her restaurant's "no substitutions" rule and fulfilling his request for French apple pie. This scene is endearing as she dares to simply place a piece of cheese on top of a slice of hot apple pie and cover the pie until the cheese melts--LOL, "it ain't nothing' but a thing" as Dunne goes the extra step to please the customer. From then on the two are friends and go off together to explore Manhattan and go sailing together. Their would be love affair is derailed by nothing less than a hurricane and the reappearance of Boyer's wife, played here by Barbara O'Neill. O'Neill steals the show as she portrays a woman who is mentally unbalanced, but not for the reason everyone suspects. While her illness is attributed to the death of her infant son, we soon discover that she is using this as an excuse to keep Boyer bound to her. In the scene where Dunne confronts her and pleads for her to release Boyer, we are chilled by O'Neill's psychopathic threat to do harm to Boyer should he leave her for Dunne. O'Neill is scary as hell and Dunne understands as the audience does that she is promising to do Boyer harm not merely threatening to. Because of this, Dunne knows that Boyer can never be hers and for this reason she must bid him farewell forever. The final scene where they part ways as she exits from the restaurant where they are having their last supper together is a tearjerker. No matter how many times she plays the poignant heroine who is called on to do the right thing, Dunne nails it. Her pain is our pain. Boyer's pain in losing her is also our own. Their love is lost and the pain is unbearable.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- When Tomorrow Comes
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Vigilia d'amore (1939) officially released in Canada in English?
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