VALUTAZIONE IMDb
7,4/10
24.391
LA TUA VALUTAZIONE
Alla vigilia della Seconda Guerra Mondiale, un giovane reporter americano cerca di portare allo scoperto gli agenti nemici a Londra.Alla vigilia della Seconda Guerra Mondiale, un giovane reporter americano cerca di portare allo scoperto gli agenti nemici a Londra.Alla vigilia della Seconda Guerra Mondiale, un giovane reporter americano cerca di portare allo scoperto gli agenti nemici a Londra.
- Candidato a 6 Oscar
- 1 vittoria e 6 candidature totali
Albert Bassermann
- Van Meer
- (as Albert Basserman)
Eduardo Ciannelli
- Mr. Krug
- (as Eduardo Cianelli)
Eddie Conrad
- Latvian
- (as Edward Conrad)
Trama
Lo sapevi?
- QuizShooting was completed on May 29, 1940, after which Sir Alfred Hitchcock made a visit to England. He returned on July 3 with the word that the Germans were expected to start bombing at any time. Ben Hecht was hurriedly called in and wrote the tacked-on final scene set at a London radio station. It was filmed on July 5, and the real-life bombing started on July 10, 1940.
- BlooperAs the purser on the ship tells John and Carol that he has no more cabins, the right side of his fake moustache can be seen sliding down. He surreptitiously pushes back it in place, but as they turn back for a second try and he continues speaking, the moustache slides down again.
- Citazioni
John Jones: I'm in love with you, and I want to marry you.
Carol Fisher: I'm in love with you, and I want to marry you.
John Jones: Hmm... that cuts down our love scene quite a bit, doesn't it?
- Curiosità sui creditiOpening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated.
- Versioni alternativeDue to its political theme, no German distributor was willing to show the film until 1960. Then, after the huge success of Psyco (1960), Constantin Film released the film with a running time of ca. 98 Minutes; approximately 22 minutes were cut, mainly Nazi-sequences. ZDF (Zweites Deutsches Fernsehen) showed the film in 1995 for the first time ever in Germany in a newly-dubbed uncut version.
- ConnessioniEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- Colonne sonoreRule Britannia
(1740) (uncredited)
Music by Thomas Augustine Arne
Background music played as a ship pulls out of the harbor
Recensione in evidenza
While not as well-known today as some of his later films, Alfred Hitchcock's spy thriller "Foreign Correspondent" is entertaining, exciting, and masterfully constructed. Though lacking the star power of some of the great director's more famous movies, the cast is very good, the settings are wonderfully conceived, and the story and writing keep the viewer's attention at all times. It has everything we hope for from Hitchcock: action, suspense, and a good dose of humor.
The plot is a complicated one, beginning when American reporter Johnny Jones (Joel McCrea) is sent to Europe just before the outbreak of World War II. Expected to send back news about the possibility of war, Jones stumbles across an espionage ring that is using kidnapping and murder in an attempt to get important government secrets for use in the coming war. The action goes from England to Holland and back to England, with Jones constantly escaping from danger as he tries to get the details of the spy plot for his newspaper. It does take some effort to follow everything that is happening, but there are many action sequences and a lot of good writing - with many fine touches of humor - that make it easy to pay attention.
In the lead role, McCrea performs with the easy-going understatement that typifies the heroes of Hitchcock's earlier films. Laraine Day is pleasant if unspectacular as McCrea's romantic interest, whose father (played nicely by Herbert Marshall) is also one of the key figures on the international scene. The supporting cast also has some fine actors. George Sanders for once gets to play a good guy, Robert Benchley is very funny as McCrea's fellow foreign correspondent, and Albert Basserman is touching as an old diplomat who has seen too much of the world's troubles.
But it is the action sequences and the settings that really make the film. Hitchcock's expert hand can be seen in almost every setting, and he displays a wealth of creative ideas here equal to any of his films. Particularly good are the memorable windmill scenes and the exciting climactic sequence in mid-ocean. This final sequence is not only thrilling, it also perfectly completes all of the film's action and themes.
"Foreign Correspondent" contains plenty of excitement, humor, and suspense, along with some of Hitchcock's best set pieces. It is highly recommended.
The plot is a complicated one, beginning when American reporter Johnny Jones (Joel McCrea) is sent to Europe just before the outbreak of World War II. Expected to send back news about the possibility of war, Jones stumbles across an espionage ring that is using kidnapping and murder in an attempt to get important government secrets for use in the coming war. The action goes from England to Holland and back to England, with Jones constantly escaping from danger as he tries to get the details of the spy plot for his newspaper. It does take some effort to follow everything that is happening, but there are many action sequences and a lot of good writing - with many fine touches of humor - that make it easy to pay attention.
In the lead role, McCrea performs with the easy-going understatement that typifies the heroes of Hitchcock's earlier films. Laraine Day is pleasant if unspectacular as McCrea's romantic interest, whose father (played nicely by Herbert Marshall) is also one of the key figures on the international scene. The supporting cast also has some fine actors. George Sanders for once gets to play a good guy, Robert Benchley is very funny as McCrea's fellow foreign correspondent, and Albert Basserman is touching as an old diplomat who has seen too much of the world's troubles.
But it is the action sequences and the settings that really make the film. Hitchcock's expert hand can be seen in almost every setting, and he displays a wealth of creative ideas here equal to any of his films. Particularly good are the memorable windmill scenes and the exciting climactic sequence in mid-ocean. This final sequence is not only thrilling, it also perfectly completes all of the film's action and themes.
"Foreign Correspondent" contains plenty of excitement, humor, and suspense, along with some of Hitchcock's best set pieces. It is highly recommended.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Foreign Correspondent
- Luoghi delle riprese
- Amsterdam, Paesi Bassi(Huntley Haverstock's hotel)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 USD (previsto)
- Lordo in tutto il mondo
- 782 USD
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 1.37 : 1
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What is the Hindi language plot outline for Il prigioniero di Amsterdam (1940)?
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