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7,0/10
1586
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBased on the novel by Nathaniel Hawthorne, this classic film follows a family feud between two brothers and an ancient curse that haunts them.Based on the novel by Nathaniel Hawthorne, this classic film follows a family feud between two brothers and an ancient curse that haunts them.Based on the novel by Nathaniel Hawthorne, this classic film follows a family feud between two brothers and an ancient curse that haunts them.
- Candidato a 1 Oscar
- 1 candidatura in totale
Hal Budlong
- Driver
- (non citato nei titoli originali)
Caroline Frances Cooke
- Town Gossip
- (non citato nei titoli originali)
Harry Cording
- Blacksmith Hawkins
- (non citato nei titoli originali)
Kernan Cripps
- Workman
- (non citato nei titoli originali)
Robert Dudley
- Jury Foreman
- (non citato nei titoli originali)
Martin Faust
- Town Gossip
- (non citato nei titoli originali)
Margaret Fealy
- Town Gossip
- (non citato nei titoli originali)
Sibyl Harris
- Mrs. Foster
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizVincent Price was brought in at the last minute to substitute for Robert Cummings, who had become indisposed through illness. Price was cast most likely because he had forged a good working relationship with producer Burt Kelly and Joe May in October 1939 while working on Il ritorno dell'uomo invisibile (1940).
- BlooperThe deed to Maine Jaffrey discovers in the attic was granted by Charles II and dated 1653. In the 1650s, Britain was ruled by Oliver Cromwell; Charles II wouldn't become King of England until 1660.
- Curiosità sui creditiThe Foreward is presented as several book pages, being turned by a human hand followed by the Prologue.
FOREWARD: "In the middle of the 17th Century in New England, there lived one Colonel Jeffrey Pyncheon, a powerful leader of the Colonial Government."
"In order to acquire a valuable piece of land, Pyncheon cold-heartedly accused its owner, a simple carpenter named Matthew Maule, of practicing Witchcraft."
"The innocent man was promptly condemned to hang. From the scaffold Matthew Maule had hurled this curse: 'God hath given him blood to drink!'"
"Colonel Pyncheon defiantly built his mansion on the dead man's ground. On the day of its completion he was found dead in his new library... blood trickling from his mouth. His descendants lived on at Seven Gables. Succeeding generations of villagers clung to the belief that 'Maule's Curse' dwelt there with them."
- ConnessioniFeatured in L'esperimento del dottor Zagros (1963)
- Colonne sonoreTHE COLOR OF YOUR EYES
(1940)
Music by Frank Skinner
Lyrics by Ralph Freed
Sung by Vincent Price (uncredited)
Recensione in evidenza
Being a big fan of the book, I was avoiding this film for a LONG time. The first half hour of the film would lead a fan of Hawthorne to conclude that the screenwriter had never even READ the original novel.
However, the screenwriter in this instance simply wanted to spend the first 30 minutes dramatizing the 'back story' that Hawthorne only alludes to in the book. Jaffrey and Clifford are now brothers, not cousins. Clifford and Hepzibah are now lovers, not siblings ... and the details surrounding the murder of Clifford's father (his uncle in the book) are slightly different, but the movie is only 90 minutes long, and the film simplifies the plotline without erasing the POINT.
Some of the acting (Margaret Lindsay as Hepzibah, for example) is so brilliant, it makes you want to cry. The scenes that depict Phoebe's arrival to Seven Gables (Chapter 2 in the book, almost halfway through the film) are incredibly well acted. Other moments in the film are so badly and broadly acted, it's laughable. At the scene of the first murder, the camera actually does a quick pan to Margaret Lindsay in the doorway, biting her knuckle. Oy gevalt.
As is usual, reading the book is more of a challenge (not everyone enjoys Hawthorne's prose), but ultimately a MUCH richer experience. For a product of its time, however ... the film does itself justice.
However, the screenwriter in this instance simply wanted to spend the first 30 minutes dramatizing the 'back story' that Hawthorne only alludes to in the book. Jaffrey and Clifford are now brothers, not cousins. Clifford and Hepzibah are now lovers, not siblings ... and the details surrounding the murder of Clifford's father (his uncle in the book) are slightly different, but the movie is only 90 minutes long, and the film simplifies the plotline without erasing the POINT.
Some of the acting (Margaret Lindsay as Hepzibah, for example) is so brilliant, it makes you want to cry. The scenes that depict Phoebe's arrival to Seven Gables (Chapter 2 in the book, almost halfway through the film) are incredibly well acted. Other moments in the film are so badly and broadly acted, it's laughable. At the scene of the first murder, the camera actually does a quick pan to Margaret Lindsay in the doorway, biting her knuckle. Oy gevalt.
As is usual, reading the book is more of a challenge (not everyone enjoys Hawthorne's prose), but ultimately a MUCH richer experience. For a product of its time, however ... the film does itself justice.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La maledizione della morte
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 178.000 USD (previsto)
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was La casa dei sette camini (1940) officially released in India in English?
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