VALUTAZIONE IMDb
7,1/10
3174
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaOliver suffers a nervous breakdown as a result of working in a horn factory, but after he follows doctor's orders about getting some sea air, he finds an ex-con is aboard.Oliver suffers a nervous breakdown as a result of working in a horn factory, but after he follows doctor's orders about getting some sea air, he finds an ex-con is aboard.Oliver suffers a nervous breakdown as a result of working in a horn factory, but after he follows doctor's orders about getting some sea air, he finds an ex-con is aboard.
Richard Cramer
- Nick Grainger
- (as Dick Cramer)
Ernie Alexander
- Newsboy
- (non citato nei titoli originali)
Chester A. Bachman
- Officer
- (non citato nei titoli originali)
Eddie Borden
- Berserk Employee
- (non citato nei titoli originali)
Ed Brady
- Store Dresser
- (non citato nei titoli originali)
Harry Evans
- Store Dresser
- (non citato nei titoli originali)
Carl Faulkner
- Harbor Policeman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- BlooperMrs. O'Riley shows Hardy her refrigerator/radio, which plays a brassy tune. Hardy, who is suffering from "Hornophobia", doesn't react to the music, however, as he does throughout the rest of the picture whenever he hears horns.
- Citazioni
Oliver Hardy: Where's the basement?
Desk Clerk: Downstairs.
- Versioni alternative"Where to Now?", one of two shortened re-edited versions cut from this film and released to early home video and TV markets, was included on the "Hal Roach Comedy Classics, Volume 6" videocassette release from 1985.
- ConnessioniEdited into Dance of the Cookoos (1982)
- Colonne sonoreHome, Sweet Home
(uncredited)
Music partly composed, and arranged by H.R. Bishop from a Sicilian air
Played on trombones by Stan Laurel and Eddie Conrad
Recensione in evidenza
While the premise of the film is pretty lame (Ollie is diagnosed with "hornophobia"), the film is an amiable and enjoyable little flick. It's also a darn bit better than the films they went on to make after this one--probably since this was the last Hal Roach-produced Laurel and Hardy film. In fact, it wouldn't be a bad idea not to see ANY of their latter films, as the entire chemistry is lost in these films and the boys play their parts purely for pathos--something true Laurel and Hardy films NEVER would do. They had a bit of an edge that all the later films lack.
Stan and Ollie work at a horn factory. This sounds pretty funny, but it isn't. Not surprisingly with all the racket, Ollie is about to have a nervous breakdown and must take some time off work. The doctor (James Finlayson--in his last film with the team) recommends an ocean voyage. However, they don't like sailing and Stan has an idea of just renting a boat tied to the dock--then they can get all the sea air they want without all the bother! Once they are on the boat, a dangerous escaped criminal boards the boat and they all accidentally set out to sea. Fortunately, this portion of the film actually was well-paced and the very end worked out very well.
While not a great full-length Laurel and Hardy film, it was much better than many of them since it had no annoying and distracting musical numbers (like in THE DEVIL'S BROTHER or BABES IN TOYLAND). Additionally, there is still a decent amount of physical comedy--something you would see almost none of after this film. Part of this was due to the boys' declining health (and Ollie's increasing girth) and part of it was due to the overall insipidness of these later films.
Stan and Ollie work at a horn factory. This sounds pretty funny, but it isn't. Not surprisingly with all the racket, Ollie is about to have a nervous breakdown and must take some time off work. The doctor (James Finlayson--in his last film with the team) recommends an ocean voyage. However, they don't like sailing and Stan has an idea of just renting a boat tied to the dock--then they can get all the sea air they want without all the bother! Once they are on the boat, a dangerous escaped criminal boards the boat and they all accidentally set out to sea. Fortunately, this portion of the film actually was well-paced and the very end worked out very well.
While not a great full-length Laurel and Hardy film, it was much better than many of them since it had no annoying and distracting musical numbers (like in THE DEVIL'S BROTHER or BABES IN TOYLAND). Additionally, there is still a decent amount of physical comedy--something you would see almost none of after this film. Part of this was due to the boys' declining health (and Ollie's increasing girth) and part of it was due to the overall insipidness of these later films.
- planktonrules
- 14 gen 2007
- Permalink
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- Data di uscita
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- Sito ufficiale
- Lingua
- Celebre anche come
- Saps at Sea
- Luoghi delle riprese
- Azienda produttrice
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- Tempo di esecuzione56 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was C'era una volta un piccolo naviglio (1940) officially released in Canada in English?
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