VALUTAZIONE IMDb
6,8/10
2371
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.
Murray Alper
- Drug Store Soda Jerk
- (non citato nei titoli originali)
Frank Coghlan Jr.
- Newsboy
- (non citato nei titoli originali)
Jimmy Conlin
- Card Game Kibitzer
- (non citato nei titoli originali)
Alec Craig
- Man Reporting Fire to Magruder
- (non citato nei titoli originali)
Frank Darien
- Joe
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizHumphrey Bogart was originally chosen to play Harold Goff. However, Ida Lupino had just finished shooting Strada maestra (1940) and Una pallottola per Roy (1940) with Bogart, and they had not gotten along. Lupino protested, and because she was a bigger name than Bogart at the time, she got her way. An angry Bogart shot off a telegram to Jack L. Warner asking, "When did Ida Lupino start casting films at your studio?"
- Blooper(at around 18 mins) Stella is talking to Goff, but not looking at him, and says "You must be a very successful man; you've got a successful attitude." There's an immediate cut to Goff responding, and Stella is is looking directly at his face.
- Citazioni
Olaf Johnson: She's 37 today. She wants me to go to her birthday party - her 37th birthday... so she says.
Jonah Goodwin: 37! She's fifteen minutes younger than the Roman Empire.
- Versioni alternativeThe available version on VHS in Argentina was lifted from a 16mm print in English with Spanish language subtitles. The credits were also redone in Spanish.
- ConnessioniFeatured in The John Garfield Story (2003)
- Colonne sonoreConcert in the Park
(uncredited)
Written by Cliff Friend and Dave Franklin
[Played in the bar at the beginning; also played when Jonah and Olaf discuss moving the boat to Gravesend Bay and at the end]
Recensione in evidenza
I found "Out of the Fog" to be a dreary film, in part because it takes place entirely at night (in a Hollywood studio's version of the slums of Brooklyn), and in part because its take on human nature is bleak.
John Garfield, as a small-time gangster, offers up no redeeming qualities; he's pure evil in a smarmy sort of way, and so not very interesting. According to TCM's Robert Osborne, Humphrey Bogart was considered for this role. Though Garfield was strong in other movies, I believe Bogie would have brought more to the table in this one than we see from Garfield.
Ida Lupino as the working class girl who wants to see a bigger, brighter world, falls equally short. She's sweet and kind to her father, yet dates Garfield's Goff character even after learning that Goff is shaking down dear old Dad. Her acting fails to reconcile these two facts (although the screenplay may equally be to blame).
Though "Out of the Fog" apparently had its roots in socialist perspective, it comes off as patronizing; the working class folk should be happy with their lot, it suggests, and when their pleas for help are ignored by their government (represented by the court here), their only ally is the working class cop who walks the local beat.
"Out of the Fog" fails as a film noir crime drama and as a morality tale. The ending is happy -- though everyone we're supposed to care about returns to their bleak existence -- but it is an unsatisfying resolution.
John Garfield, as a small-time gangster, offers up no redeeming qualities; he's pure evil in a smarmy sort of way, and so not very interesting. According to TCM's Robert Osborne, Humphrey Bogart was considered for this role. Though Garfield was strong in other movies, I believe Bogie would have brought more to the table in this one than we see from Garfield.
Ida Lupino as the working class girl who wants to see a bigger, brighter world, falls equally short. She's sweet and kind to her father, yet dates Garfield's Goff character even after learning that Goff is shaking down dear old Dad. Her acting fails to reconcile these two facts (although the screenplay may equally be to blame).
Though "Out of the Fog" apparently had its roots in socialist perspective, it comes off as patronizing; the working class folk should be happy with their lot, it suggests, and when their pleas for help are ignored by their government (represented by the court here), their only ally is the working class cop who walks the local beat.
"Out of the Fog" fails as a film noir crime drama and as a morality tale. The ending is happy -- though everyone we're supposed to care about returns to their bleak existence -- but it is an unsatisfying resolution.
- groening-2
- 14 giu 2007
- Permalink
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- Out of the Fog
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- Tempo di esecuzione1 ora 25 minuti
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- 1.37 : 1
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