Aggiungi una trama nella tua linguaRichard Burton plays a Scottish Army officer put in charge of a disparate band of ANZAC troops on the perimeter of Tobruk with the German Army doing their best to dislodge them.Richard Burton plays a Scottish Army officer put in charge of a disparate band of ANZAC troops on the perimeter of Tobruk with the German Army doing their best to dislodge them.Richard Burton plays a Scottish Army officer put in charge of a disparate band of ANZAC troops on the perimeter of Tobruk with the German Army doing their best to dislodge them.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 1 candidatura in totale
- Lt. Harry Carstairs
- (as Charles Tingwell)
- English Officer
- (non citato nei titoli originali)
- Corporal
- (non citato nei titoli originali)
- British Officer
- (non citato nei titoli originali)
- Sergeant
- (non citato nei titoli originali)
- German Lieutenant
- (non citato nei titoli originali)
- German Gunner
- (non citato nei titoli originali)
- German Radio Man
- (non citato nei titoli originali)
- German Orderly
- (non citato nei titoli originali)
- Colonel
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe film was banned in Egypt, as the British were still occupying the Suez Canal and the Sudan.
- BlooperThe German tanks used are actually U.S. built, late-war M-24 Chaffee light tanks, which is to be expected given the lack of German vehicles in the early 1950s.
- Citazioni
Tom Bartlett: You don't know much about real fear, Tammy. Maybe it comes with age or the bottle. You don't know what it is to be a coward... really a coward. To know it, yet to hope one day something will happen to prove that you're not, yet half the time not really believing that either.
- Curiosità sui creditiOpening credits prologue: 1941 LIBYAN DESERT NORTH AFRICA
- ConnessioniEdited into All This and World War II (1976)
- Colonne sonoreWaltzing Matilda
(1895) (uncredited)
Original music by Christina Macpherson (1895)
(Based on the Scottish tune "Craigielee", music by James Barr, with words by Robert Tannahill)
Revised music by Marie Cowan (1903)
Lyrics by A.B. 'Banjo' Paterson (1895)
Played during the opening credits and often in the score
The most fascinating part of this film is to watch both the marvelous Robert Newton and the under-rated James Mason give Richard Burton acting lessons.
Burton tends to chew the scenery when he snarls, "Good-morning," as though he were the youngest in a large family, doing anything for attention.
Newton counters Burton's unnecessary histrionics with a beautifully modulated realization of-himself in disguise as Prof. Bartlett, Burton's old instructor. I think this is the most honest look at the REAL Newton on film. The rueful man who clearly understands his inability to stay sober, but still has enough control to see his own and everyone else's situation clearly. He is the kind, timorous, brilliant failure who, in one burst of glory, up-stages his more successful juniors. Newton delivers a truly magical performance.
James Mason also delivers a balanced and multi-layered Rommel. Of course he practiced playing this brilliant German General in the better-known film, The Desert Fox.
Burton comes across as pure ham in The Desert Rats, but there IS one scene he has where he is honest and effective. He explains to Bartlett that the picture of the young woman in his wallet is his wife. The picture actually IS Burton's wife, pre-Elizabeth Taylor.
Otherwise, although Burton is billed as the star, the film belongs to Newton and Mason. See it for the pleasure of their company.
- countryway_48864
- 29 ago 2001
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Dettagli
Botteghino
- Budget
- 1.320.000 USD (previsto)
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 1.37 : 1