VALUTAZIONE IMDb
6,2/10
4167
LA TUA VALUTAZIONE
L'autorità sovrana di Re Artù è minacciata dall'amore adultero tra Sir Lancillotto e la regina Ginevra, una relazione che i nemici del re sperano di sfruttare.L'autorità sovrana di Re Artù è minacciata dall'amore adultero tra Sir Lancillotto e la regina Ginevra, una relazione che i nemici del re sperano di sfruttare.L'autorità sovrana di Re Artù è minacciata dall'amore adultero tra Sir Lancillotto e la regina Ginevra, una relazione che i nemici del re sperano di sfruttare.
- Candidato a 2 Oscar
- 3 candidature totali
Julia Arnall
- Bit Role
- (non citato nei titoli originali)
Peter Brace
- Archer
- (non citato nei titoli originali)
John Brooking
- Bedivere
- (non citato nei titoli originali)
Rufus Cruickshank
- Modred's Knight
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizFirst MGM film to be shot in CinemaScope.
- BlooperReferences to England are incorrectly regarded as goofs. The first known use of "England" occurred in 897. If King Arthur had been a 'real' king, he would have lived around the 5th or 6th centuries, however, it is more as a Middle Ages knight that he is presented in literature -- and in this movie. Knights in suits of armor (as portrayed in this film) began to appear in the early 15th century.
- ConnessioniFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
Recensione in evidenza
Knights of the Round Table is directed by Richard Thorpe and adapted to screenplay by Talbot Jennings, Noel Langley & Jan Lustig from the novel Le Morte d'Arthur written by Sir Thomas Malory. It stars Robert Taylor, Ava Gardner, Mel Ferrer, Stanley Baker, Anne Crawford and Felix Aylmer. Music is scored by Miklós Rózsa and cinematography by Stephen Dade and Freddie Young.
An interesting spin on the Arthurian legend for MGM, who film it in Cinemascope (first time for the studio) and dress it up grandly as the actors have a good old time in the days of yore. Here the romantic angle comes via Lancelot (Taylor) and Guinevere (Gardner) having lusty lustations for one and other that cause a tremble in the stability of Camelot. With Guinevere to marry King Arthur, and both she and the heroic Lancelot loyal to the King and his ideals for Camelot, it's not a real problem until the dastardly Modred (Baker) and the scheming Morgan le Fay (Crawford) start to throw spanners into the works that result in murder, suspicion and war.
It's all very fanciful stuff, full of derring-do machismo, but the action is well staged by Thorpe (cracking finale between good and evil), the outer location photography at Tintagel in Cornwall is most pleasing, Rózsa's score sweeps in and out of the well dressed sets and the cast do their director proud by not overdoing the material to hand. Yes it inevitably hasn't aged particularly well, and modern film fans may balk at the many passages of detailed chatter in the well developed script, but this comes from a grand old time in cinema. When production value meant hard graft in front of and behind the camera . Honour and integrity is not only big within the story itself, it's also themes that apply to the film makers as well. Hooray! 7.5/10
An interesting spin on the Arthurian legend for MGM, who film it in Cinemascope (first time for the studio) and dress it up grandly as the actors have a good old time in the days of yore. Here the romantic angle comes via Lancelot (Taylor) and Guinevere (Gardner) having lusty lustations for one and other that cause a tremble in the stability of Camelot. With Guinevere to marry King Arthur, and both she and the heroic Lancelot loyal to the King and his ideals for Camelot, it's not a real problem until the dastardly Modred (Baker) and the scheming Morgan le Fay (Crawford) start to throw spanners into the works that result in murder, suspicion and war.
It's all very fanciful stuff, full of derring-do machismo, but the action is well staged by Thorpe (cracking finale between good and evil), the outer location photography at Tintagel in Cornwall is most pleasing, Rózsa's score sweeps in and out of the well dressed sets and the cast do their director proud by not overdoing the material to hand. Yes it inevitably hasn't aged particularly well, and modern film fans may balk at the many passages of detailed chatter in the well developed script, but this comes from a grand old time in cinema. When production value meant hard graft in front of and behind the camera . Honour and integrity is not only big within the story itself, it's also themes that apply to the film makers as well. Hooray! 7.5/10
- hitchcockthelegend
- 5 apr 2012
- Permalink
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Dettagli
Botteghino
- Budget
- 2.600.000 USD (previsto)
- Tempo di esecuzione1 ora 55 minuti
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By what name was I cavalieri della tavola rotonda (1953) officially released in India in English?
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