Aggiungi una trama nella tua linguaIn Post-Bellum Texas, an army captain tries to keep the peace between overtaxed, impoverished farmers and greedy carpetbaggers.In Post-Bellum Texas, an army captain tries to keep the peace between overtaxed, impoverished farmers and greedy carpetbaggers.In Post-Bellum Texas, an army captain tries to keep the peace between overtaxed, impoverished farmers and greedy carpetbaggers.
- Regia
- Sceneggiatura
- Star
- Hodges' Sergeant
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- Texan
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- Walter Morgan
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- Trooper
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- Texan
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- Kehoe
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Trama
Lo sapevi?
- BlooperGrowing cotton and transporting cotton bales thru the hilly countryside was a foolish director's scheme. In 1869 cotton wasn't grown within 1,000 miles of this area.
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Norah Porter: Whatever became of Frances Bilky?
Captain Bill Hodges: I don't know. She married a colonel, I think. Maybe it was a general. At any rate, she outranks all of us.
Norah Porter: But that's wonderful! Now she'll have her lifelong ambition to lead the cotillion. Well, I guess that's what I always wanted too.
Captain Bill Hodges: You don't have anything like that around here, do you, Captain?
Captain David Porter: Oh, I don't know. The Indians come down once a month and dance for us.
- ConnessioniReferenced in Radiografia di un colpo d'oro (1968)
Randolph Scott is a Union army captain, but also a Texan and he sees both sides. Henry Hull is his put upon commanding officer and Charles McGraw plays a leader of a local gang who have risen up like Robin Hood among the oppressed. These guys aren't Ku Klux Klan nightriders by any means though.
Our villains are Hugh Sanders and Elisha Cook, Jr. a pair of scurvy lowlifes if there ever were. They've got quite the little self perpetuating racket. The more they extort, the more McGraw raids, the more Sanders and Cook cry that the army has to stay in Texas. Just about anything is blamed on McGraw and his men.
There's also a domestic crisis of sorts with newly arrived captain Lex Barker, an arrogant sort who was on duty in Washington and would like to get back there. Barker's bored and he makes a play for Phyllis Kirk who is married to Randolph Scott. Since they don't like each other from the beginning that only increases the problem.
Andre DeToth who did several westerns including a few with Randolph Scott brought home a good one here. With themes like an attempt at adultery here, this was not a western for the Saturday matinée kiddie trade. DeToth's best in my opinion is one called Ramrod with Joel McCrea and his then wife Veronica Lake, but this one is pretty good too.
DeToth also learned from the best and the final shootout scene with Scott against four men bears no small resemblance to High Noon, released a year earlier.
Definitely one of Randolph Scott's best westerns of the Fifties.
- bkoganbing
- 10 lug 2010
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