L'agghiacciante racconto dell'invasione della Terra da parte dei marziani. Chiunque abbia visto l'affascinante e terribile sagoma a cigno delle navicelle marziane e abbia ascoltato il loro s... Leggi tuttoL'agghiacciante racconto dell'invasione della Terra da parte dei marziani. Chiunque abbia visto l'affascinante e terribile sagoma a cigno delle navicelle marziane e abbia ascoltato il loro sibilo minaccioso che semina distruzione non dimenticherà mai più il loro spaventoso effett... Leggi tuttoL'agghiacciante racconto dell'invasione della Terra da parte dei marziani. Chiunque abbia visto l'affascinante e terribile sagoma a cigno delle navicelle marziane e abbia ascoltato il loro sibilo minaccioso che semina distruzione non dimenticherà mai più il loro spaventoso effetto1.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 5 vittorie e 2 candidature totali
- Dr. Pryor
- (as Bob Cornthwaite)
- Gen. Mann's Aide
- (as Housely Stevenson Jr.)
- Wash Perry
- (as Bill Phipps)
- Commentary
- (voce)
- (as Sir Cedric Hardwicke)
- Pine Summit Fire Watcher
- (non citato nei titoli originali)
- Man
- (non citato nei titoli originali)
- Brigadier General
- (non citato nei titoli originali)
- Mother
- (non citato nei titoli originali)
- Prof. McPherson
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells' properties. Pal chose L'uomo che visse nel futuro (1960).
- BlooperModern viewers often complain that the wires used to suspend the Martian war machines are plainly visible throughout the film. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in very saturated colors, but with a slight reduction in overall resolution. This reduction in resolution "fuzzed out" the wires in original prints, making them effectively invisible. Later prints were made in Eastman Color, which uses a photographic process and yields sharper prints, but here had the side effect of making the support and electric wires plainly visible - the models had electrical wires as the side pods of the machines really lit up green and the "cobra heads" lit up as well. It is common practice in the film industry to take into account what details will be visible when a print is projected so as not to waste production time and money on details that will never actually be visible to a viewing audience, especially in the areas of effects and matte paintings. Thus, the filmmakers never thought the wires would be visible and in fact they weren't until the first Eastman Color prints of the film were struck in the late 1960s, and they had become even more visible on modern video releases as there is no dye sublimation resolution loss when making video masters from the original negatives. In the 2018 restoration this was resolved using digital technology.
- Citazioni
Radio Reporter: All radio is dead, which means that these tape recordings I'm making are for the sake of future history - If any.
- Versioni alternativeFor the 2018 restoration Ben Burtt created a new 5.1 surround sound mix with replacements for many of the film's original sound effects, with the jarring result that the sound effects have fidelity far above that of surrounding dialogue in the film. The 2020 Criterion Collection release features this new sound mix as well as the original mono track.
- ConnessioniEdited from Quando i mondi si scontrano (1951)
One really needs to think how spectacular and darned frightening it must have seemed to 1953 audiences. Films about aliens visiting Earth had up to than been relatively low key, they would have aliens taking human form, or coming in peace, or just taking over a small town. Here, we had aliens intent on just one thing- the complete destruction and extermination of everything and everyone on Earth. Battles between the Martians and the army, Martian death rays frying huge numbers of people, the destruction of Los Angeles, there had been little like it before, and all this on a moderate budget, which is why the cast is strictly B Movie, although they are adequate to the film's needs.
Of course to a modern audiences many aspects are dated and may even seem laughable. The sometimes visible wires of the Martian death machines -surely they could have been removed with computer technology for the DVD?. The oft repeated stock shots of the military. The religious element, which would have offended the atheist Welles and even suggests God got rid of the Martians. Some VERY corny dialog.
Yet the film has some scenes which are still extremely effective. Most notable is a lengthy sequence in which the hero and heroine are trapped in a house by Martians, this remains genuinely scary. The designs of the briefly seen Martians, their death machines-wires notwithstanding- and their 'cameras' still look great. Of course one misses the huge tripods of the novel, and certain other aspects of the novel, such as the red weed. I'm sure Spielberg will deliver on much of this, even if he is adapting a story which will always be more effective when set in Victorian times. However, until than, this version is still worth seeing as one of the most memorable alien pictures of the 50s alongside The Day The Earth Still and Invasion Of The Body Snatchers.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The War of the Worlds
- Luoghi delle riprese
- Corona, California, Stati Uniti(Opening scenes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni