VALUTAZIONE IMDb
7,4/10
1702
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA poor laundrywoman tries to cope with a depressing burden of society.A poor laundrywoman tries to cope with a depressing burden of society.A poor laundrywoman tries to cope with a depressing burden of society.
- Candidato a 1 Oscar
- 10 vittorie e 3 candidature totali
Hubert de Lapparent
- M. Lorilleux - un chaîniste, le mari souffreteux de Mme Lorilleux
- (as Hubert Lapparent)
Rachel Devirys
- Mme Fauconnier
- (as Rachel Devyris)
Georges Paulais
- Le miséreux
- (as Paulais)
Trama
Lo sapevi?
- QuizOfficial submission of France for the 'Best Foreign Language Film' category of the 29th Academy Awards in 1957.
- Citazioni
Gervaise Macquart Coupeau, une blanchisseuse douce et courageuse: Morning came and he still hadn't returned. He'd been out all night. It was the first time. I was so proud to have the handsomest guy around, me, the gimp.
- Versioni alternativeThe original French version is much more risque than the heavily edited US version in at least one scene and probably others: the scene where Maria Schell has a catfight with Suzy Delair, which ends with Schell spanking Delair with a wooden paddle, is much more explicit in the French version which includes scenes of Suzy Delairs' bare behind getting whacked.
- ConnessioniEdited into Meine Schwester Maria (2002)
Recensione in evidenza
"Gervaise" is an adaptation of the novel "L'assommoir" (1877, Emile Zola). In this novel a working cass woman breaks down due to a lot of bad luck and a lot of booze. When the novel came out there was discussion if the book was defending the working class (describing their harsh live) or insulting the working class (describing their alcohol abuse).
The film above everything seems to be defending women, describing the struggle Gervaise (Maria Schell) has to wage against the two idlers of husbands that play a role in her life. This is because the film omits the excessive pride of Gervaise that she does have in the novel. This results in a totally innocent woman having bad luck again and again. This overdose of bad luck gives the film a somewhat moralistic tone (it has sometimes been denoted as a very long commercial against alcohol abuse) and even becomes unintentionally funny / corny.
Although the film is somewhat outdates, it was one of the nominees for best foreign language film in 1956, so the film must have its pros. Apart from the acting of Maria Schell I would like to mention the beautiful setpieces. The film has partly the same bittersweet (a little bit more bitter) mood as "Casque d'or" (1952, Jacques Becker), a film that was made and situated in the same time as "Gervaise".
The film above everything seems to be defending women, describing the struggle Gervaise (Maria Schell) has to wage against the two idlers of husbands that play a role in her life. This is because the film omits the excessive pride of Gervaise that she does have in the novel. This results in a totally innocent woman having bad luck again and again. This overdose of bad luck gives the film a somewhat moralistic tone (it has sometimes been denoted as a very long commercial against alcohol abuse) and even becomes unintentionally funny / corny.
Although the film is somewhat outdates, it was one of the nominees for best foreign language film in 1956, so the film must have its pros. Apart from the acting of Maria Schell I would like to mention the beautiful setpieces. The film has partly the same bittersweet (a little bit more bitter) mood as "Casque d'or" (1952, Jacques Becker), a film that was made and situated in the same time as "Gervaise".
- frankde-jong
- 27 lug 2020
- Permalink
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Dettagli
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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