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...with some rock n' roll thrown in for good measure. Tom Ewell does his exact same performance from The Seven Year Itch with Edmond O'Brian doing a Broderick Crawford impression, I liked that Jayne- who was obviously intended to be a foil for Monroe at her home studio of Fox - didn't try to act like Marilyn.

She came across as very natural and her "own self"- someone secure with who she was. There was a scene where she had to break down in tears and, well, I bought it.

However, the real star of the film was the music- from the awesome title track by Little Richard to Ray Anthony to Gene Vincent to a strange meta-cameo by Julie London (I had forgotten what a wonderful voice she had).