VALUTAZIONE IMDb
6,8/10
2272
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFugitive Bill Saunders and lonely nurse Jane Wharton are crossed by fate when he hides out in her apartment.Fugitive Bill Saunders and lonely nurse Jane Wharton are crossed by fate when he hides out in her apartment.Fugitive Bill Saunders and lonely nurse Jane Wharton are crossed by fate when he hides out in her apartment.
Leyland Hodgson
- Tipster
- (as Leland Hodgson)
Peter Hobbes
- Young Father
- (as Peter Forbes)
Harry Allen
- Drunk
- (non citato nei titoli originali)
Jimmy Aubrey
- Taxi Driver
- (non citato nei titoli originali)
Timothy Bruce
- Boy Child
- (non citato nei titoli originali)
George Bunny
- Bookie
- (non citato nei titoli originali)
Melinda Byron
- Girl Child
- (non citato nei titoli originali)
Valerie Cardew
- Change Girl
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizPenicillin only recently had been introduced, proving to be a life-saving drug in WW2. In postwar Europe, the continent was still in shambles, with a huge black market for everyday necessities, including medicine. The noir classic Il terzo uomo (1949) would further show the shadowy world of medical profiteering.
- BlooperWhen Bill is released from prison, he goes to a pool hall. He proceeds to check the trueness of his chosen cue stick by rolling it across a table. But, in the next shot, there are balls on the table where he just rolled his stick.
- ConnessioniFeatured in Pulp Cinema (2001)
Recensione in evidenza
Kiss the Blood Off My Hands (1948)
This is a surprisingly vivid movie. Some will find the plot a little canned, a vehicle for quick appeal, not quite a B movie enterprise. But I enjoyed so much the two leads--Joan Fontaine as ever luminous and sympathetic, Burt Lancaster in his tough yet lovable best--I loved the whole movie. Furthermore it is photographed, mostly at night, with amazing fluidity and drama, another high point in the film noir style.
Though this is a British-feeling movie set in London, it is topped out with American actors and directed by an American, too. It is a great example of that American archetype known as film noir. It even has the standard core of the best of them, a returning soldier struggling to make sense of normal life. Lancaster has a past that includes two years in a Nazi prison camp. He has the mental scars to show for it (as the text at the beginning explains needlessly for the time, but maybe helpfully for a viewer now).
It is the at first highly unlikely but increasingly plausible relationship between two lonely people that commands the movie. The less compelling plot line of a somewhat stereotypical blackmailer and the associated crimes is handled well in each case, though more about action than psychological depth. You get frustrated when Lancaster never tells Fontaine what is going on in his shady moments, but that's part of his problem and we are to go along. He trusts no one for good reason.
The finale? A bit hasty, maybe, the way that other famous Fontaine thriller is ("Suspicion"), but it's satisfying, too, and not quite a "Hollywood" ending.
The director is little known Norman Foster, who made a bunch of Charlie Chan and Mr. Moto films in the 1930s, and the quite good "Rachel and the Stranger." Another example of how teamwork lifts even less inspired aspects higher. This has a great cast, excellent music (by the dependable romantic whiz Miklos Rozsa), and great filming (with Russell Metty behind the camera).
The hardest thing about this film is finding it. I bought a really lousy DVD copy of a lousy tape made years ago off an AMC broadcast, and even so it was terrific watching, visually. It has been broadcast on TCM and I think their version would be superior, if you can find someone who has copied it (legality aside, though it might be past copyright).
It's not a masterpiece of a film, but it looks so darned good it should be released in full Blu-Ray and now. Meanwhile, happy hunting for a better copy than mine. It's worth it!
This is a surprisingly vivid movie. Some will find the plot a little canned, a vehicle for quick appeal, not quite a B movie enterprise. But I enjoyed so much the two leads--Joan Fontaine as ever luminous and sympathetic, Burt Lancaster in his tough yet lovable best--I loved the whole movie. Furthermore it is photographed, mostly at night, with amazing fluidity and drama, another high point in the film noir style.
Though this is a British-feeling movie set in London, it is topped out with American actors and directed by an American, too. It is a great example of that American archetype known as film noir. It even has the standard core of the best of them, a returning soldier struggling to make sense of normal life. Lancaster has a past that includes two years in a Nazi prison camp. He has the mental scars to show for it (as the text at the beginning explains needlessly for the time, but maybe helpfully for a viewer now).
It is the at first highly unlikely but increasingly plausible relationship between two lonely people that commands the movie. The less compelling plot line of a somewhat stereotypical blackmailer and the associated crimes is handled well in each case, though more about action than psychological depth. You get frustrated when Lancaster never tells Fontaine what is going on in his shady moments, but that's part of his problem and we are to go along. He trusts no one for good reason.
The finale? A bit hasty, maybe, the way that other famous Fontaine thriller is ("Suspicion"), but it's satisfying, too, and not quite a "Hollywood" ending.
The director is little known Norman Foster, who made a bunch of Charlie Chan and Mr. Moto films in the 1930s, and the quite good "Rachel and the Stranger." Another example of how teamwork lifts even less inspired aspects higher. This has a great cast, excellent music (by the dependable romantic whiz Miklos Rozsa), and great filming (with Russell Metty behind the camera).
The hardest thing about this film is finding it. I bought a really lousy DVD copy of a lousy tape made years ago off an AMC broadcast, and even so it was terrific watching, visually. It has been broadcast on TCM and I think their version would be superior, if you can find someone who has copied it (legality aside, though it might be past copyright).
It's not a masterpiece of a film, but it looks so darned good it should be released in full Blu-Ray and now. Meanwhile, happy hunting for a better copy than mine. It's worth it!
- secondtake
- 10 gen 2013
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Kiss the Blood Off My Hands
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.100.000 USD (previsto)
- Tempo di esecuzione1 ora 19 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Per te ho ucciso (1948) officially released in India in English?
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