Aggiungi una trama nella tua linguaVaudeville performers, Dailey and Grable, have marital difficulties when he hits the "Big Time", which are compounded by his drinking problem.Vaudeville performers, Dailey and Grable, have marital difficulties when he hits the "Big Time", which are compounded by his drinking problem.Vaudeville performers, Dailey and Grable, have marital difficulties when he hits the "Big Time", which are compounded by his drinking problem.
- Candidato a 2 Oscar
- 3 candidature totali
Louise Allen
- Dancer
- (non citato nei titoli originali)
Maxine Ardell
- Dancer
- (non citato nei titoli originali)
Dorothy Babb
- Specialty Dancer
- (non citato nei titoli originali)
Betty Jane Barton
- Dancer
- (non citato nei titoli originali)
Pati Behrs
- Woman in Box
- (non citato nei titoli originali)
Sam Bernard
- Process Server
- (non citato nei titoli originali)
Lela Bliss
- Woman
- (non citato nei titoli originali)
Harry Carter
- Man in Box
- (non citato nei titoli originali)
Edward Clark
- Box-Office Clerk
- (non citato nei titoli originali)
Joanna Dale
- Chorus Girl
- (non citato nei titoli originali)
Grace Davies
- Dancert
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizDan Dailey's Best Actor Oscar nomination marked a career high-point, though his portrayal of 'Skid' Johnson never stood a chance opposite Laurence Olivier's loftier central performance in the same year's Hamlet (1948). This illustrates the sometimes ludicrous range of nominations in the acting categories during Hollywood's golden era, the result of a far wider spectrum of genres represented. A similar disparity had emerged three years earlier when Gene Kelly's lighthearted performance in the musical Anchors Aweigh (1945) was improbably pitted against Ray Milland's histrionic performance as a desperate alcoholic in The Lost Weekend (1945).
- Citazioni
'Skid' Johnson: Here's to you babe. One man's loss is another man's gain.
- ConnessioniFeatured in Biography: Betty Grable: Behind the Pin-up (1995)
Recensione in evidenza
Dan Dailey is a hoofer who goes from burlesque houses to Broadway, leaving wife Betty Grable behind. When she catches up with him, he's developed a drinking problem.
It's the third big-screen version of Hopkins-Watter play Burlesque, and it's given the Technicolor gloss that the company gave to all of Miss Grable's musicals in the period. The musical numbers are baggy-pants affairs. It's directed by Walter Lang, Fox's specialist for musical dramas, but since it's a vehicle for Miss Grable, everything is sunny.
Dailey was nominated for the Oscar for Best Actor. For some reason, he lost to Laurence Olivier's performance in a little number called HAMLET.
It's the third big-screen version of Hopkins-Watter play Burlesque, and it's given the Technicolor gloss that the company gave to all of Miss Grable's musicals in the period. The musical numbers are baggy-pants affairs. It's directed by Walter Lang, Fox's specialist for musical dramas, but since it's a vehicle for Miss Grable, everything is sunny.
Dailey was nominated for the Oscar for Best Actor. For some reason, he lost to Laurence Olivier's performance in a little number called HAMLET.
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Divario superiore
By what name was When My Baby Smiles at Me (1948) officially released in Canada in English?
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