VALUTAZIONE IMDb
6,2/10
5297
LA TUA VALUTAZIONE
Dopo un breve studio sulla storia del pugilato, narrato dal giornalista Douglas Edwards, seguiamo un giorno nella vita del pugile mediomassimo irlandese Walter Cartier.Dopo un breve studio sulla storia del pugilato, narrato dal giornalista Douglas Edwards, seguiamo un giorno nella vita del pugile mediomassimo irlandese Walter Cartier.Dopo un breve studio sulla storia del pugilato, narrato dal giornalista Douglas Edwards, seguiamo un giorno nella vita del pugile mediomassimo irlandese Walter Cartier.
- Regia
- Sceneggiatura
- Star
Stanley Kubrick
- Self - Man at Ringside with Camera
- (non citato nei titoli originali)
Alexander Singer
- Self - Man at Ringside with Camera
- (non citato nei titoli originali)
Judy Singer
- Self - Female Fan in Crowd
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIt cost Stanley Kubrick $3,900 to make and he sold it (to RKO) for $4,000.
- Versioni alternativeWhen RKO obtained the film for their "This Is America" series, they added about four minutes of new material to the beginning of the film, making the short 16 minutes long instead of the original 12 minutes. The opening four minutes with boxing historian Nat Fleischer is markedly different from the rest of the film as if features footage from different boxing matches. The opening was also modified with the credits appearing in different order and the music for the opening was also changed. The majority of the picture is the same until the end. In the last sequence when the knock out happens, the narration is once again changes. Kubrick's original cut features Douglas Edwards talking about personal sacrifice and success. The extended RKO cut removes this portion of the narration and adds new one with Nat Fleischer to better match the opening segment - this narration is about how this fight will go down into the record books. The music at the end was also changed - Gerald Fried's finale cue was moved earlier to match the beginning of the new narration, but because it starts sooner, it doesn't line up with the ending. Thus the new end title card (which adds This is America to the bottom of the card) plays in silence.
- ConnessioniFeatured in The Art of Stanley Kubrick: From Short Films to Strangelove (2000)
Recensione in evidenza
It's always interesting to go back to the beginning of a director's career, in this case Stanley Kubrick's, and take a look at his earlier work. Day of the Fight just happens to be the first film by now legendary director Kubrick who is widely regarded as one of the best contemporary directors ever. This film is around about 15-20 minutes long and revolves around the build up to a boxing match the study of the build up will revolve around.
Interestingly enough and perhaps the most interesting thing about it is that it was inspired by a photograph Kubrick himself took for a 1949 edition of a magazine. This could be seen as an early example of suspense, with constant reference to the boxing match and its importance made through narrator Douglas Edwards, a good casting for the serious and deep voice the film required. As a short, it works and the suspense and build up maintains some sort of interest as the montage plays out. Kubrick includes all sorts of shots and angles creating the nice range for the eye, my favourite being the low angle on the statue of Mary in the church about half way through.
But the focus could well be the fight itself. There is some good camera work to be had out of the actual match and a low angle between a boxer's legs would later be used by Kubrick in Killer's Kiss, another early Kubrick film. I actually would have liked the boxing match's result to have been the other way around as I feel it would've added a new dimension to the short, a sort of anti-climatic spin that might've worked well. But that said, it's worth seeing if for the match itself and the chance to see where it all started off for the great man.
Interestingly enough and perhaps the most interesting thing about it is that it was inspired by a photograph Kubrick himself took for a 1949 edition of a magazine. This could be seen as an early example of suspense, with constant reference to the boxing match and its importance made through narrator Douglas Edwards, a good casting for the serious and deep voice the film required. As a short, it works and the suspense and build up maintains some sort of interest as the montage plays out. Kubrick includes all sorts of shots and angles creating the nice range for the eye, my favourite being the low angle on the statue of Mary in the church about half way through.
But the focus could well be the fight itself. There is some good camera work to be had out of the actual match and a low angle between a boxer's legs would later be used by Kubrick in Killer's Kiss, another early Kubrick film. I actually would have liked the boxing match's result to have been the other way around as I feel it would've added a new dimension to the short, a sort of anti-climatic spin that might've worked well. But that said, it's worth seeing if for the match itself and the chance to see where it all started off for the great man.
- johnnyboyz
- 28 lug 2008
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Il giorno del combattimento
- Luoghi delle riprese
- Church of St. Francis Xavier, 46 W. 16th St., New York, New York, Stati Uniti(Church where Walter Cartier and his brother, Vincent, attend morning mass)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.900 USD (previsto)
- Tempo di esecuzione16 minuti
- Colore
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti