I trafficanti della notte

Night and the City (1950)

*** (out of 4)

Hard-hitting crime film has Richard Widmark playing Harry Fabian, a loser who is constantly getting himself in trouble by either owing money or hurting those closest to him like the girl (Gene Tierney) who loves him. Soon Harry comes up with a scheme to try and take over the underworld of wrestling but an accident leaves an entire mob and city after him. Widmark, in an excellent performance, gets top-billing but there's no question that the real star here is the cinematography by Mutz Greenbaum. The B&W images are so incredibly strong here that they pretty much become their own character as the camera perfectly picks up this underworld full of gamblers, mobsters, drunken fools and hopeless dreamers like Harry. The cinematography is so strong here and director Dassin has no trouble at all building up a very rich atmosphere and it's almost as if you can smell the stink of the streets and you'll feel like a shower just to get all the smoke off of you. The story itself is pretty good because I'm sure everyone has come across a guy like Fabian so it's easy to see his tricks and enjoy his charisma but at the same time any sane person could see what a danger he was to himself. Widmark does a terrific job in the role because he's got a certain charm that you just have to fall for and at the same time he can be such a snake where you want to see something bad happen to him. The screenplay does a great job at really building up his character as we see his good and bad qualities and Widmark hits all the right notes with them. Tierney is excellent as well as his tortured girlfriend. Googie Withers, Herbert Lom, Hugh Marlowe and Francis L. Sullivan are all terrific as well. Back to the cinematography, the final scenes with Widmark running around London trying to escape are breathtakingly beautiful. We've seen countless chase scenes before and since this movie but the one here is a prime example of getting it done right.