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16.953
LA TUA VALUTAZIONE
Un'attrice in difficoltà cerca di aiutare un amico a dimostrare la sua innocenza dall'accusa di aver ucciso il marito di una donna dell'alta società.Un'attrice in difficoltà cerca di aiutare un amico a dimostrare la sua innocenza dall'accusa di aver ucciso il marito di una donna dell'alta società.Un'attrice in difficoltà cerca di aiutare un amico a dimostrare la sua innocenza dall'accusa di aver ucciso il marito di una donna dell'alta società.
- Premi
- 5 vittorie e 1 candidatura in totale
Alastair Sim
- Commodore Gill
- (as Alistair Sim)
Miles Malleson
- Mr. Fortesque
- (as Miles Mallison)
André Morell
- Inspector Byard
- (as Andre Morell)
Robert Adair
- Rough Individual
- (non citato nei titoli originali)
Alfie Bass
- Stage Hand With Microphone
- (non citato nei titoli originali)
Hyma Beckley
- Man in Pub
- (non citato nei titoli originali)
Gordon Bell
- 2nd Chauffeur
- (non citato nei titoli originali)
Gerald Case
- Policeman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn an extraordinary move for the normally controlling director, Sir Alfred Hitchcock allowed Marlene Dietrich an exceptional amount of creative control for this movie, particularly in how she chose to light her scenes. Hitchcock knew that Dietrich had learned a great deal of the art of cinematography from Josef von Sternberg and Günther Rittau and let her work with Cinematographer Wilkie Cooper to light and set her scenes the way that she wished.
- BlooperIn the opening credits, Alastair Sim's name is misspelled as "Alistair Sim".
- Citazioni
Charlotte Inwood: He was an abominable man. Why do women marry abominable men?
- Curiosità sui creditiThe opening credits depict a theatrical safety curtain being raised to reveal the opening shot of London.
- Versioni alternativeA French VHS released in the nineties contained two versions of the film: one dubbed, the other subtitled. Beside this difference numerous edits were made in the dubbed version. Many scenes were shortened such as the talk between Eve and her father outside the boathouse in the night, Eve's attempt to disguise herself as a maid... However, and more importantly, this version contained two longer scenes not present in any copy released on VHS or DVD so far.
- The first one is an extension of the bar discussion scene between the maid and the other patrons, right before Eve asks Wilfred Smith "Don't you think she's talking too much?" The dialog is dubbed in French.
- The second scene is a slightly but magnificent longer version of Marlene Dietrich singing "The Laziest Gal in Town". The complete song runs 4 minutes instead of 3.37 in the edited version. The cut occurs after the first "it's not 'cause I couldn't" in the lyrics.
- ConnessioniFeatured in Marlene (1984)
- Colonne sonoreThe Laziest Gal in Town
(1950) (uncredited)
Written by Cole Porter
Performed by Marlene Dietrich and a male quartet
Recensione in evidenza
Often considered to be one of Alfred Hitchcock's lesser known films, "Stage Fright" has unfortunately gotten a bad wrap. Even mediocre Hitchcock is better than most movies ever get, though. And this one is a solid, entertaining picture. With an eclectic cast one doesn't expect to see together, each diverse actor provides a little something for everyone. And with Jane Wyman, Marlene Dietrich, Richard Todd and Michael Wilding how can you go wrong?
Wyman convincingly plays a drama student who gets involved over her head in a purely Hitchcockian case of murder. When her ex-lover Todd is suspected of killing Dietrich's husband, Wyman hides him and helps him allude the police. Meanwhile, Wyman disguises herself as Dietrich's maid to help find evidence to save Todd's freedom. Wyman falls into a dangerous trap, and danger surrounds her.
Disappointingly underdeveloped as it starts, "Stage Fright" eventually turns into a first-rate thriller. While Wyman has been better, Dietrich is hilariously catty and Todd is wickedly suspicious. This is undoubtedly a Hitchcock film all the way around, but adding a nice twist to the formula is a soaring, romantic soundtrack. A seriously satisfying film, "Stage Fright" hits most of the right notes.
Wyman convincingly plays a drama student who gets involved over her head in a purely Hitchcockian case of murder. When her ex-lover Todd is suspected of killing Dietrich's husband, Wyman hides him and helps him allude the police. Meanwhile, Wyman disguises herself as Dietrich's maid to help find evidence to save Todd's freedom. Wyman falls into a dangerous trap, and danger surrounds her.
Disappointingly underdeveloped as it starts, "Stage Fright" eventually turns into a first-rate thriller. While Wyman has been better, Dietrich is hilariously catty and Todd is wickedly suspicious. This is undoubtedly a Hitchcock film all the way around, but adding a nice twist to the formula is a soaring, romantic soundtrack. A seriously satisfying film, "Stage Fright" hits most of the right notes.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Stage Fright
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.437.000 USD (previsto)
- Lordo in tutto il mondo
- 511 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Paura in palcoscenico (1950) officially released in India in English?
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