VALUTAZIONE IMDb
7,0/10
16.742
LA TUA VALUTAZIONE
Un'attrice in difficoltà cerca di aiutare un amico a dimostrare la sua innocenza dall'accusa di aver ucciso il marito di una donna dell'alta società.Un'attrice in difficoltà cerca di aiutare un amico a dimostrare la sua innocenza dall'accusa di aver ucciso il marito di una donna dell'alta società.Un'attrice in difficoltà cerca di aiutare un amico a dimostrare la sua innocenza dall'accusa di aver ucciso il marito di una donna dell'alta società.
- Premi
- 2 vittorie e 1 candidatura
Alastair Sim
- Commodore Gill
- (as Alistair Sim)
Miles Malleson
- Mr. Fortesque
- (as Miles Mallison)
André Morell
- Inspector Byard
- (as Andre Morell)
Robert Adair
- Rough Individual
- (non citato nei titoli originali)
Alfie Bass
- Stage Hand With Microphone
- (non citato nei titoli originali)
Hyma Beckley
- Man in Pub
- (non citato nei titoli originali)
Gordon Bell
- 2nd Chauffeur
- (non citato nei titoli originali)
Gerald Case
- Policeman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizBecause Patricia Hitchcock (Chubby Bannister) bore a resemblance to Jane Wyman, her father Sir Alfred Hitchcock asked her to double for Wyman in the scenes that required "danger driving" in the beginning of the movie.
- BlooperIn the opening credits, Alastair Sim's name is misspelled as "Alistair Sim".
- Citazioni
Charlotte Inwood: He was an abominable man. Why do women marry abominable men?
- Curiosità sui creditiThe opening credits depict a theatrical safety curtain being raised to reveal the opening shot of London.
- Versioni alternativeA French VHS released in the nineties contained two versions of the film: one dubbed, the other subtitled. Beside this difference numerous edits were made in the dubbed version. Many scenes were shortened such as the talk between Eve and her father outside the boathouse in the night, Eve's attempt to disguise herself as a maid... However, and more importantly, this version contained two longer scenes not present in any copy released on VHS or DVD so far.
- The first one is an extension of the bar discussion scene between the maid and the other patrons, right before Eve asks Wilfred Smith "Don't you think she's talking too much?" The dialog is dubbed in French.
- The second scene is a slightly but magnificent longer version of Marlene Dietrich singing "The Laziest Gal in Town". The complete song runs 4 minutes instead of 3.37 in the edited version. The cut occurs after the first "it's not 'cause I couldn't" in the lyrics.
- ConnessioniFeatured in Marlene (1984)
- Colonne sonoreThe Laziest Gal in Town
(1950) (uncredited)
Written by Cole Porter
Performed by Marlene Dietrich and a male quartet
Recensione in evidenza
With such an unusual set of components, it was probably inevitable that "Stage Fright" would be a little uneven, but most of it works well enough. By Hitchcock's standards, it's average at best, but it is still an entertaining movie with an interesting story and a number of good sequences.
Simply seeing the distinctive persona of Marlene Dietrich and the enjoyably unique style of Alastair Sim in an Alfred Hitchcock film would make for an interesting combination in itself. They are joined by a generally solid group of performers, with their own individual styles, and there are several characters who all get fairly sizable roles.
Hitchcock's own approach here is a somewhat surprising contrast from his usual style of story-telling, and some of the developments must have seemed even more unexpected to the movie's original viewers. Another aspect of this is that for much of the movie none of the characters really takes and holds the focus, and as a result there are times when it seems to lack some flow.
Yet there are a number of good points to it as well. There are plenty of the usual Hitchcock details that make things more interesting, and most of the cast members give good performances in themselves. Most of Hitchcock's movies are rather better than this one, but watching "Stage Fright" is still a better use of one's time than watching the weak present-day efforts in the genre.
Simply seeing the distinctive persona of Marlene Dietrich and the enjoyably unique style of Alastair Sim in an Alfred Hitchcock film would make for an interesting combination in itself. They are joined by a generally solid group of performers, with their own individual styles, and there are several characters who all get fairly sizable roles.
Hitchcock's own approach here is a somewhat surprising contrast from his usual style of story-telling, and some of the developments must have seemed even more unexpected to the movie's original viewers. Another aspect of this is that for much of the movie none of the characters really takes and holds the focus, and as a result there are times when it seems to lack some flow.
Yet there are a number of good points to it as well. There are plenty of the usual Hitchcock details that make things more interesting, and most of the cast members give good performances in themselves. Most of Hitchcock's movies are rather better than this one, but watching "Stage Fright" is still a better use of one's time than watching the weak present-day efforts in the genre.
- Snow Leopard
- 25 ott 2004
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Stage Fright
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.437.000 USD (previsto)
- Lordo in tutto il mondo
- 511 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Paura in palcoscenico (1950) officially released in India in English?
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