Uno sceneggiatore viene assunto per rivedere il copione di una vecchia diva del cinema muto, ma si ritrova coinvolto in una relazione pericolosa.Uno sceneggiatore viene assunto per rivedere il copione di una vecchia diva del cinema muto, ma si ritrova coinvolto in una relazione pericolosa.Uno sceneggiatore viene assunto per rivedere il copione di una vecchia diva del cinema muto, ma si ritrova coinvolto in una relazione pericolosa.
- Vincitore di 3 Oscar
- 19 vittorie e 20 candidature totali
Larry J. Blake
- 1st Finance Man
- (as Larry Blake)
Fred Aldrich
- Cop Who Drags Joe's Body from Pool
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizUnlike the character she played, Gloria Swanson had accepted the fact that the movies didn't want her anymore and had moved to New York, where she worked on radio and, later, television. Although she had long before ruled out the possibility of a movie comeback, she was nevertheless highly intrigued when she got the offer to play the lead.
- BlooperWhen Max is telling Joe about directing Madam's first pictures, there is a bad dub of the word "sixteen". After the Roscoe 'Fatty' Arbuckle trial and the subsequent establishment of the Hays Office to enforce the new Production Code, the producers were concerned that the original age of 14 would be considered child porn and had the line changed in post.
- Citazioni
Joe Gillis: Wait a minute, haven't I seen you before? I know your face.
Norma Desmond: Get out! Or shall I call my servant?
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.
Norma Desmond: I *am* big. It's the *pictures* that got small.
- Curiosità sui creditiThe Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street.
- ConnessioniEdited into Les Amoureux du cinéma (1987)
- Colonne sonoreThe Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
Recensione in evidenza
I have yet to see a Billy Wilder film that I haven't loved, and Sunset Boulevard is definitely one of those films. It's interesting to watch the film during different times in one's life when I was a child watching this film, I thought the story was good and that Norma Desmond (Swanson) was a pretty scary lady. In my teens/college years, I appreciated it as a certified classic and for its commentary on Hollywood. Now, in my late 20's and early 30's I found it to have a different impact on me I was saddened by Desmond's mental illness, and when she makes her final descent down her staircase and utters her famous line as the camera pans the faces of the people around her, so full of pity, and the care her butler/ex-husband takes to make sure she's happy for maybe the last time in her life made more of an impact on me than any other time in the 20-odd times I've seen this film. There are only a small handful of central characters in Sunset Boulevard and they are so richly written that this film will remain timeless. There are not a lot of `dated' themes in this film the circle of life that is Hollywood isn't going to be much more evolved in 2050 than it was in 1950. If you haven't seen this film, watch it because there is something for just about anyone in this film.
--Shelly
--Shelly
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El ocaso de una vida
- Luoghi delle riprese
- 10060 Sunset Blvd, Los Angeles, California, Stati Uniti(Norma Desmond's driveway gate)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.752.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 299.645 USD
- Fine settimana di apertura Stati Uniti e Canada
- 169.067 USD
- 13 mag 2018
- Lordo in tutto il mondo
- 308.663 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 1.37 : 1
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What was the official certification given to Viale del tramonto (1950) in Japan?
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