Non cedo alla violenza

Cave of Outlaws (1951)

** (out of 4)

Technicolor Western set in 1880 finds a gang of outlaws robbing a train full of gold and hiding it in a cave. Before they can leave the cave all are killed with the exception of teenager Pete Carver. After fifteen years in prison, Pete (MacDonald Carey) is released and heads back to the territory where the cave is located only to learn that it's now a booming town due to copper being found in the mines. The good news is that the money was never discovered but now Pete must try and outsmart a few other bad guys who have their own plans for the money. It's amazing that someone like William Castle can remain so popular yet very few of his films are actually viewed by people. It seems most either never knew he had a career before his Horror pictures or perhaps they just don't care. As I slowly go through his Westerns it's clear that he was certainly a director-for-hire as his quick shooting and under budget reputation certainly got him hired to do this film. There's nothing overly horrible about this film but at the same time there's nothing good either. I think a lot of the problem is the screenplay, which gives us a fairly interesting idea but very little is ever done with it. Once Pete arrives back to town we get the typical bad guys following him and the typical women wanting him. There' some mild comic stuff dealing with every store owner giving him an unlimited line of credit because they think he knows where the money is but not enough is done with this. Castle handles the opening robbery pretty well but the rest of the film is rather lifeless. There's not too much energy in any of the scenes and the ending seems more fashioned for a comic book than an actual film. Carey isn't the most entertaining leading men and Alexis Smith doesn't get too much to do either. Edgar Buchanan, Hugh O'Brian and Hugh Sanders aren't too bad in their supporting roles but the screenplay does them no favors. There's some decent cinematography and fans of Universal's horror films will notice that a lot of the stock music is carried over here. If you close you eyes throughout the film you'll think you're watching ABBOTT AND COSTELLO MEET FRANKENSTEIN considering the scores. In the end, it's pretty hard to recommend this movie to anyone outside of someone like me who just wants to go through the director's entire career.