VALUTAZIONE IMDb
6,7/10
1272
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA showgirl returns to her New York home to visit her alcoholic mother, where she catches the eye of a Broadway producer.A showgirl returns to her New York home to visit her alcoholic mother, where she catches the eye of a Broadway producer.A showgirl returns to her New York home to visit her alcoholic mother, where she catches the eye of a Broadway producer.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria
Bill Alcorn
- Dancer
- (non citato nei titoli originali)
Murray Alper
- Joe the Bartender
- (non citato nei titoli originali)
Jimmy Aubrey
- Ship's Steward
- (non citato nei titoli originali)
Brooks Benedict
- Reporter
- (non citato nei titoli originali)
Lulu Mae Bohrman
- Party Guest
- (non citato nei titoli originali)
Tex Brodus
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizWhen Doris Day's character is questioned by reporters about an affair she's supposedly having with S.Z. Sakall's character, one of them asks her, "Is it true you call him 'Cuddles'?" This is an inside joke, as Sakall's nickname in real life was "Cuddles".
- BlooperGloria reads a copy of Variety with news on the back cover; in reality, the back cover of this publication has always been reserved for full-page ads.
- Citazioni
Melinda Howard: [handing Tom a penny] There's a message on that to you from the women of the world.
Tom Farnham: In God We Trust
- ConnessioniFeatured in The 69th Annual Academy Awards (1997)
- Colonne sonoreLullaby of Broadway
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung by Doris Day
Danced by DDoris Day and Gene Nelson and mixed chorus
Recensione in evidenza
I saw this when I was a small boy, when it was revived in a neighborhood theatre, and then many years later on TV. Finally, with the advent of the VCR, I purchased this entertaining musical.
This is probably the picture that caused me fall in love with Doris Day. That personality! That smile! That Voice! From the opening number, "Just One of Those Things," to the last spectacular song and dance of "Lullaby of Broadway," this is a delight.
I especially enjoyed Doris' scenes with Gladys George (not "Cooper") as someone else reported. "It's tough being a mother. I need a couple more rehearsals." She was wonderful as Jessica Howard, has-been star of Broadway, now singing in a Greenwich Village dive.
Gene Nelson was mischievous as the lecherous dancer who chases Miss Day and Billy DeWolfe was inappropriately prissy as the "boyfriend" of Ann Triola. Of course, I always enjoy watching S. Z. "Cuddles" Sakall. This was his third time appearing with Miss Day.
Doris looked fantastic in Technicolor and the many closeups they gave her underscored her natural beauty, even though her freckles were covered up. She sang very nicely and danced up a storm with Gene Nelson, something that if done today, would get Oscar nominations. I especially enjoyed "You're Getting to Be a Habit with Me" and "I Love The Way You Say Goodnight." I was disappointed that Miss Day didn't have a ballad in this picture. What an oversight!
Day and her ilk made it look too easy, even though a LOT of work went into making these films.
This is probably the picture that caused me fall in love with Doris Day. That personality! That smile! That Voice! From the opening number, "Just One of Those Things," to the last spectacular song and dance of "Lullaby of Broadway," this is a delight.
I especially enjoyed Doris' scenes with Gladys George (not "Cooper") as someone else reported. "It's tough being a mother. I need a couple more rehearsals." She was wonderful as Jessica Howard, has-been star of Broadway, now singing in a Greenwich Village dive.
Gene Nelson was mischievous as the lecherous dancer who chases Miss Day and Billy DeWolfe was inappropriately prissy as the "boyfriend" of Ann Triola. Of course, I always enjoy watching S. Z. "Cuddles" Sakall. This was his third time appearing with Miss Day.
Doris looked fantastic in Technicolor and the many closeups they gave her underscored her natural beauty, even though her freckles were covered up. She sang very nicely and danced up a storm with Gene Nelson, something that if done today, would get Oscar nominations. I especially enjoyed "You're Getting to Be a Habit with Me" and "I Love The Way You Say Goodnight." I was disappointed that Miss Day didn't have a ballad in this picture. What an oversight!
Day and her ilk made it look too easy, even though a LOT of work went into making these films.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Lullaby of Broadway
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 32 minuti
- Proporzioni
- 1.37 : 1
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By what name was La ninna nanna di Broadway (1951) officially released in Canada in English?
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