VALUTAZIONE IMDb
7,6/10
4954
LA TUA VALUTAZIONE
Un prete determinato e un sindaco comunista sviluppano un'amicizia riluttante nonostante la loro rivalità ufficiale.Un prete determinato e un sindaco comunista sviluppano un'amicizia riluttante nonostante la loro rivalità ufficiale.Un prete determinato e un sindaco comunista sviluppano un'amicizia riluttante nonostante la loro rivalità ufficiale.
- Nominato ai 1 BAFTA Award
- 3 vittorie e 4 candidature totali
Vera Talchi
- Gina Filotti
- (as Vera Talqui)
Charles Vissières
- Il Vescovo
- (as Charles Vissiere)
Clara Auteri Pepe
- Woman saying 'Viva Peppone!'
- (as Clara Auteri)
Manuel Gary
- Il delegato
- (as Manoel Gary)
Trama
Lo sapevi?
- QuizThe whole film was shot twice; there is a French and an Italien negative, that can be distinguished by details in editing and content (watch the position of the dog during the procession for example).
- Citazioni
Crocefisso: Where did you get that cigar, Camillo?
Don Camillo: Peppone had two. I think I took it without asking him. You know he believes in equal distribution of wealth.
- Versioni alternativeGerman version runs 2 minutes shorter than the Italian original version.
- ConnessioniFeatured in Cinema forever - Capolavori salvati (2001)
Recensione in evidenza
...Actually, of all those adjectives, `Italian' was the first to leap to mind. I can't believe the IMDb has decided to classify this film under a French name. `Things happen there that could happen nowhere else in the world,' says the narrator. It's easy to believe.
The Catholics and the communists are battling for the soul of a small village. It's to be hoped that neither side ever wins. Nor is it likely that either side ever will win. This would spoil everyone's fun.
The communist mayor, is, so to speak, the Anglican of the two: someone who will gruffly talk about burning all the capitalists, while letting it be understood that he doesn't really intend his words to be taken literally. The priest (Don Camillo) is hot-headed, as fiercely loyal to the Catholic Church as the mayor is to his party, at once highly intelligent and preternaturally simple minded. He's the kind of Catholic who avoids absurdity by the time-honoured trick of simply not thinking about the doctrines to which he officially subscribes. His `prayers' are impromptu conversations with Jesus, or perhaps simply with the icon of Jesus that hangs on his wall - whichever it is, the film humours his fancy by having Jesus (or the icon) talk back to him. To this day I'm not sure if Jesus (or the icon) is REALLY talking back, or if it's just Don Camillo's imagination. What does it matter? It is, after all, no more than a private eccentricity. It's not as if he talks to or about Jesus in PUBLIC.
No one - not atheists, not communists, not Christians, not Norse pagans - could object to the film's big-hearted fantasy, or fail to like either of the two very likeable protagonists. I gather there are several sequels: the one I've seen isn't nearly as good; and the original feels so much like an archetype that I suspect any sequel would be little more than a footnote.
The Catholics and the communists are battling for the soul of a small village. It's to be hoped that neither side ever wins. Nor is it likely that either side ever will win. This would spoil everyone's fun.
The communist mayor, is, so to speak, the Anglican of the two: someone who will gruffly talk about burning all the capitalists, while letting it be understood that he doesn't really intend his words to be taken literally. The priest (Don Camillo) is hot-headed, as fiercely loyal to the Catholic Church as the mayor is to his party, at once highly intelligent and preternaturally simple minded. He's the kind of Catholic who avoids absurdity by the time-honoured trick of simply not thinking about the doctrines to which he officially subscribes. His `prayers' are impromptu conversations with Jesus, or perhaps simply with the icon of Jesus that hangs on his wall - whichever it is, the film humours his fancy by having Jesus (or the icon) talk back to him. To this day I'm not sure if Jesus (or the icon) is REALLY talking back, or if it's just Don Camillo's imagination. What does it matter? It is, after all, no more than a private eccentricity. It's not as if he talks to or about Jesus in PUBLIC.
No one - not atheists, not communists, not Christians, not Norse pagans - could object to the film's big-hearted fantasy, or fail to like either of the two very likeable protagonists. I gather there are several sequels: the one I've seen isn't nearly as good; and the original feels so much like an archetype that I suspect any sequel would be little more than a footnote.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
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- The Little World of Don Camillo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Don Camillo (1952) officially released in India in English?
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