VALUTAZIONE IMDb
7,0/10
5205
LA TUA VALUTAZIONE
Uno sguardo agli anni '60 dell'Italia, un'era di crescita economica e grandi cambiamenti culturali, piena di sesso, amore e seduzione.Uno sguardo agli anni '60 dell'Italia, un'era di crescita economica e grandi cambiamenti culturali, piena di sesso, amore e seduzione.Uno sguardo agli anni '60 dell'Italia, un'era di crescita economica e grandi cambiamenti culturali, piena di sesso, amore e seduzione.
- Premi
- 1 candidatura
Tomas Milian
- Conte Ottavio (segment "Il lavoro")
- (as Thomas Milian)
Antonio Acqua
- Commendatore La Pappa (segment "Le tentazioni del dottor Antonio")
- (non citato nei titoli originali)
Nando Angelini
- Man Winning a Bottle (segment "La riffa")
- (non citato nei titoli originali)
Silvio Bagolini
- Secretary of Monsignore (segment "Le tentazioni del dottor Antonio")
- (non citato nei titoli originali)
Ciccio Barbi
- Engineer in the Car (segment "Le tentazioni del dottor Antonio")
- (non citato nei titoli originali)
Lars Bloch
- Red Priest (segment "Le tentazioni del dottor Antonio")
- (non citato nei titoli originali)
Suso Cecchi D'Amico
- (segment "Renzo e Luciana")
- (non citato nei titoli originali)
Ermelinda De Felice
- Donna che balla di sera sotto il manifesto della ekberg
- (non citato nei titoli originali)
Donatella Della Nora
- Donatella - Mazzuolo's Sister (segment "Le tentazioni del dottor Antonio")
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizFederico Fellini's segment, "Le Tentazioni del Dottor Antonio", was his first work in colour.
- Citazioni
Anita (segment "Le tentazioni del dottor Antonio"): When I move my hips, convents shake.
- Versioni alternativeThe original Italian version had four segments and was 210 minutes long. The segment "Renzo e Luciana" directed by Mario Monicelli was removed in the US version.
- ConnessioniFeatured in Buscando a Sophia (2004)
Recensione in evidenza
These three directors definitely distinguish themselves here from each other without being cocky. Well, Fellini and Ekberg may be VERY audacious, but that just adds positively to his work in my opinion. In his segment 'The temptations of Dr. Antonio' is enough material to fill an entire feature. It brings big fun and surrealism in a story about a very BIG billboard with a picture of Anita Ekberg on it holding a glass of milk. A moralistic guy (censor?) who lives right in front of the billboard (and BTW gets a very funny introduction in the film) can't accept the supposedly scandalous picture and takes action. After seeing it, I couldn't get this tune out of my head: 'Bevete piu latte' (you must drink milk) which is a commercial tune for the billboard. It is all very carnavalesque, versatile and entertaining. It's a pity Giuseppe Rotunno (Amarcord, Città delle donne, il Gattopardo, Carnal Knowledge) didn't dignify this segment with his cinematography (as he DID with Visconti's poetic segment which has a much more distinct atmosphere and has less special effects).
The common factor between the three segments is a (light) moral discussion about what sexual borders people can have and what must occur to make them actually think about it. Where exactly lies the border of your taboos? The film is also watchable as plain entertainment, for the three starring ladies are captivating and intense here (though in general I don't like Ekberg that much). Romy Scheider played a girl in the silly 'Sissy' (1955-57), but is already glorious with her subtle impression in this segment of a mature lady who gets double-crossed by her fiancee and takes revenge.
I didn't see the segment 'Renzo e Luciana' unfortunately, because it was unavailable :(, but I guess I liked Fellini's part best and De Sica's least (as most of his work): De Sica had some better short films in 'Ieri, oggi, domani' (1963, all starring Sophia Loren). Or it could be that I liked the first two segments best, because there was Nino Rota's (Godfather, Amarcord) score under them. De Sica's segment is just not interesting in any way. Nevertheless this is a triptych of the highest order: underrated.
9/10
The common factor between the three segments is a (light) moral discussion about what sexual borders people can have and what must occur to make them actually think about it. Where exactly lies the border of your taboos? The film is also watchable as plain entertainment, for the three starring ladies are captivating and intense here (though in general I don't like Ekberg that much). Romy Scheider played a girl in the silly 'Sissy' (1955-57), but is already glorious with her subtle impression in this segment of a mature lady who gets double-crossed by her fiancee and takes revenge.
I didn't see the segment 'Renzo e Luciana' unfortunately, because it was unavailable :(, but I guess I liked Fellini's part best and De Sica's least (as most of his work): De Sica had some better short films in 'Ieri, oggi, domani' (1963, all starring Sophia Loren). Or it could be that I liked the first two segments best, because there was Nino Rota's (Godfather, Amarcord) score under them. De Sica's segment is just not interesting in any way. Nevertheless this is a triptych of the highest order: underrated.
9/10
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 10.641 USD
- Tempo di esecuzione3 ore 25 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1
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By what name was Boccaccio '70 (1962) officially released in India in English?
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