Un alcolizzato sposa una giovane donna, che si dedica regolarmente a bere, in modo che possano condividere la sua "passione" insieme.Un alcolizzato sposa una giovane donna, che si dedica regolarmente a bere, in modo che possano condividere la sua "passione" insieme.Un alcolizzato sposa una giovane donna, che si dedica regolarmente a bere, in modo che possano condividere la sua "passione" insieme.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 10 vittorie e 13 candidature totali
- Party Guest
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- Party Guest
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- Loud Man
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- Abe
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- Tenant
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- Gladys
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- Party Guest
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Trama
Lo sapevi?
- QuizBoth Jack Lemmon and Lee Remick sought help from Alcoholics Anonymous long after they had completed the film.
- BlooperAt the Alcoholics Anonymous meeting, both Jim and Joe say their full names; last names are usually not used in AA meetings, which is how people remain "anonymous".
- Citazioni
[Joe offers to reconcile with Kirsten - but only if she quits drinking]
Joe Clay: You remember how it really was? You and me and booze - a threesome. You and I were a couple of drunks on the sea of booze, and the boat sank. I got hold of something that kept me from going under, and I'm not going to let go of it. Not for you. Not for anyone. If you want to grab on, grab on. But there's just room for you and me - no threesome.
- ConnessioniFeatured in Mirror for Our Dreams: Fusions (1968)
There are several scenes in this film which bring back that feeling to me. When Jack Lemmon and Lee Remick are at their most slap-happy rip-roaring state of drunkenness and having a great time, it gave me this odd sensation -- these people are not funny, not clever, and not entertaining. This is at least one of the points made in this very well made film.
The story is well told, and answers the question that many people have about alcoholism, and perhaps addiction in general (How do things ever get so terribly out of control?). It happens slowly, and it happens for a multitude of reasons. The reasons that this film deals mostly with include loneliness, wanting to please others, wanting to do one's job without compromising one's integrity, childhood abandonment, low self-esteem, and just the fact that in the social world "everyone" drinks.
Lemmon and Remick do a fabulous job as your ordinary young couple who get started slowly but surely going down the wrong track. Charles Bickford as Remick's father has little screen time, but makes every moment of it count. Jack Klugman is also very good as Lemmon's Alcoholics Anonymous friend.
Some things are wonderfully telegraphed. Lee Remick has this "thing" about chocolate (addiction potential). There's just a moment when you see a smoldering cigarette in an ashtray, and you get the feeling that something bad is going to happen (it does). When Jack Lemmon, in a drunken state comes home one evening, he impetuously picks some flowers for Lee Remick. The elevator door closes on them, cutting off the tops of the flowers. (When he arrives home, the couple have their first really big fight.) Also, I think it is interesting that every time that Lee Remick is watching the television, she is watching cartoons -- an interesting statement.
The cinematography is realistic, sometimes downright gritty. Filming it in black and white helped to enhance this mood, especially in the greenhouse and the psychiatric ward scenes.
Perhaps the most important point of the story is that addiction, be it alcohol or other things can happen to anyone. Sometimes you just don't realize it until it's too late.
The Days of Wine and Roses is a fine "message" movie that gets its point across without getting preachy or self-righteous, with believable performances by all.
- Jon Kolenchak
- 4 mar 2001
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Days of Wine and Roses
- Luoghi delle riprese
- 1800 Pacific Ave, San Francisco, California, Stati Uniti(Joe and Kirsten Clay's Apartment Building)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 2.031 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Proporzioni
- 1.85 : 1