Un ex prigioniero di guerra subisce il lavaggio del cervello in quanto assassino inconsapevole di una cospirazione comunista internazionale.Un ex prigioniero di guerra subisce il lavaggio del cervello in quanto assassino inconsapevole di una cospirazione comunista internazionale.Un ex prigioniero di guerra subisce il lavaggio del cervello in quanto assassino inconsapevole di una cospirazione comunista internazionale.
- Candidato a 2 Oscar
- 6 vittorie e 9 candidature totali
Joe Adams
- Psychiatrist
- (non citato nei titoli originali)
Alyce Allen
- Woman
- (non citato nei titoli originali)
Benjie Bancroft
- Chauffeur
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizFrank Sinatra broke the little finger of his right hand on the desk in the fight sequence with Henry Silva. Due to on-going filming commitments, he could not rest or bandage his hand properly, causing the injury to heal incorrectly. It caused him chronic discomfort for the rest of his life.
- BlooperIn the opening sequence, set in 1952, the bar in Korea has a US flag with 50 stars. In 1952, the US included only 48 states, and the flag had only 48 stars. There are also some 50-star flags alongside period correct 48-star flags during the convention scenes.
- Citazioni
Bennett Marco: Raymond Shaw is the kindest, bravest, warmest, most wonderful human being I've ever known in my life.
- Curiosità sui creditiThe closing credits specify, "Released thru United Artists". This uses an informal spelling of the standard "through".
- Versioni alternativeThe West German version was edited (ca. 4 minutes) to remove every scene with the ladies in the greenhouse. This version was also released on DVD. In 2005 the uncut version (with subtitles for the missing scenes) was shown on Arte. Only in 2020 was the complete version released on Blu-ray/DVD.
- ConnessioniEdited into Commercial Entertainment Product (1992)
- Colonne sonoreThe Washington Post
(1889) (uncredited)
Music by John Philip Sousa
Played by a band in the first scene after the opening credits
Recensione in evidenza
Probably John Frankenheimer's best production, and Frank Sinatra's best cinema performance.
I saw this because of the recent 'remake', I would assume that the reader will be making the same comparison. Having never seen this before, I found myself riveted to the story, and absolutely great performances by Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, John McGiver, James Gregory, and Leslie Parrish.
Coincidently, I had just recently finished reading some previously published works about the cold war, in particular the Chambers-Hiss court cases.
It might be accident, but I wouldn't doubt it might have been intended by Frankenheimer to choose Harvey, who resembled Hiss, in appearance and McGiver who resembled Chambers appearance. When this was released in 1962, the Hiss-Chambers spy fiasco was still fresh in the public's mind.
Other American political images are not for want of satire either, since Lansbury and Gregory seemed to have reminded me, in appearance, of Mary and (honest) Abe Lincoln.
The pace, style and non stop tension rivals Hitchcock; it will certainly have you wondering if he had anything to do with this! Truly Frankenhiemer, excels here.
Because Sinatra was box office magnet, most of his other roles seemed 'fitted' for him. Not here! You'll have a chance to see the real Frank Sinatra, really working to make the part work, and without a doubt, he too excels in his role.
I don't think I'll bother to see the recent version yet. I want to see this original classic a few more times.
I saw this because of the recent 'remake', I would assume that the reader will be making the same comparison. Having never seen this before, I found myself riveted to the story, and absolutely great performances by Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, John McGiver, James Gregory, and Leslie Parrish.
Coincidently, I had just recently finished reading some previously published works about the cold war, in particular the Chambers-Hiss court cases.
It might be accident, but I wouldn't doubt it might have been intended by Frankenheimer to choose Harvey, who resembled Hiss, in appearance and McGiver who resembled Chambers appearance. When this was released in 1962, the Hiss-Chambers spy fiasco was still fresh in the public's mind.
Other American political images are not for want of satire either, since Lansbury and Gregory seemed to have reminded me, in appearance, of Mary and (honest) Abe Lincoln.
The pace, style and non stop tension rivals Hitchcock; it will certainly have you wondering if he had anything to do with this! Truly Frankenhiemer, excels here.
Because Sinatra was box office magnet, most of his other roles seemed 'fitted' for him. Not here! You'll have a chance to see the real Frank Sinatra, really working to make the part work, and without a doubt, he too excels in his role.
I don't think I'll bother to see the recent version yet. I want to see this original classic a few more times.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El embajador del miedo
- Luoghi delle riprese
- Jilly's, 52nd Street at 8th Avenue, Manhattan, New York, New York, Stati Uniti(bar where Shaw hears he ought to go jump in a lake)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.757.256 USD
- Fine settimana di apertura Stati Uniti e Canada
- 87.850 USD
- 15 feb 1988
- Lordo in tutto il mondo
- 2.757.256 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti