VALUTAZIONE IMDb
7,2/10
10.654
LA TUA VALUTAZIONE
Storie di tre donne molto diverse e gli uomini che attraggono.Storie di tre donne molto diverse e gli uomini che attraggono.Storie di tre donne molto diverse e gli uomini che attraggono.
- Vincitore di 1 Oscar
- 8 vittorie e 3 candidature totali
Tonino Cianci
- (segment "Adelina")
- (as Antonio Cianci)
Gianni Ridolfi
- Umberto (segment "Mara")
- (as Giovanni Ridolfi)
Trama
Lo sapevi?
- QuizThe red car that picks up Mara after the accident is an extremely rare 1960 Ferrari 250 GT California Spyder SWB. Only 56 of these cars were made and some have sold for over $10M at auction in the 2010's.
- BlooperAs Anna and Renzo talk while driving, the windshield of her Rolls-Royce Silver Cloud II shakes because the little side windows are gone, but the little side windows are intact in the wide shots.
- Citazioni
Carmine Sbaratti: The people of Forcella are out of this world. They've risen up in a gesture of solidarity!
Verace's sister: I must say, it almost makes you forget how filthy and ignorant they are.
- ConnessioniEdited into Marcello, una vita dolce (2006)
Recensione in evidenza
YESTERDAY, TODAY AND TOMORROW is a romantic comedy, which consists of three stories set in different parts of Italy. All three stories are framed in a romantic farce, which examines relationships through common life issues, such as poverty, adultery, sex and religion.
Stories about three very different women and the men they attract.
Adelina sells black-market cigarettes in Naples. Her husband is unemployed. She tries to avoid a jail sentence at any cost.
In Milan, Anna drives a Rolls, is bored, and picks up a writer, who is her lover. She talks dreamily of running off with him until he dents her car. After that, she shows her true face.
Mara, who works as a prostitute from her apartment in Rome, turns the head of a naive seminarian. After talking with his grandmother, she wants to help a young man, while her nervous client from Bologna impatiently waiting.
A male protagonist is exposed to tragicomic sobering, while a female protagonist is in a kind of inner conflicts, in each of the three stories. That's the point. The different characters of people are exposed to very strange situations, through which they question their relationships.
The scenery is very impressive, especially in the first story. That Neapolitan atmosphere in explosion of colors in a narrow streets is truly remarkable. The dialogues are, here and there, trivial and empty. Humor is somewhat forced, but it's pretty luscious. Characterization is not bad at all.
Sophia Loren (Adelina Sbaratti, Anna Molteni and Mara) is a temperamental and brave housewife, an elegant and selfish rich woman and a sensitive prostitute who would talk about morality. Yes, Ms. Loren looks divine in each of these women.
Marcello Mastroianni (Carmine Sbaratti, Renzo and Augusto Rusconi) is a fertile, but useless husband, a cautious lover and an impatient client, who can not accept the fact that he's in love with a beautiful prostitute. Mr. Mastroianni is mostly a muddled and confused character in each of the three stories.
I will say that this is another successful commedia all'italiana
Stories about three very different women and the men they attract.
Adelina sells black-market cigarettes in Naples. Her husband is unemployed. She tries to avoid a jail sentence at any cost.
In Milan, Anna drives a Rolls, is bored, and picks up a writer, who is her lover. She talks dreamily of running off with him until he dents her car. After that, she shows her true face.
Mara, who works as a prostitute from her apartment in Rome, turns the head of a naive seminarian. After talking with his grandmother, she wants to help a young man, while her nervous client from Bologna impatiently waiting.
A male protagonist is exposed to tragicomic sobering, while a female protagonist is in a kind of inner conflicts, in each of the three stories. That's the point. The different characters of people are exposed to very strange situations, through which they question their relationships.
The scenery is very impressive, especially in the first story. That Neapolitan atmosphere in explosion of colors in a narrow streets is truly remarkable. The dialogues are, here and there, trivial and empty. Humor is somewhat forced, but it's pretty luscious. Characterization is not bad at all.
Sophia Loren (Adelina Sbaratti, Anna Molteni and Mara) is a temperamental and brave housewife, an elegant and selfish rich woman and a sensitive prostitute who would talk about morality. Yes, Ms. Loren looks divine in each of these women.
Marcello Mastroianni (Carmine Sbaratti, Renzo and Augusto Rusconi) is a fertile, but useless husband, a cautious lover and an impatient client, who can not accept the fact that he's in love with a beautiful prostitute. Mr. Mastroianni is mostly a muddled and confused character in each of the three stories.
I will say that this is another successful commedia all'italiana
- elvircorhodzic
- 24 lug 2017
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Ieri, oggi, domani
- Luoghi delle riprese
- Piazza Navona, Roma, Lazio, Italia(3rd part - Mara's apartment)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 58 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Ieri oggi domani (1963) officially released in India in English?
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