Tornato al suo villaggio natale per continuare le sue ricerche sperimentali, l'indigente dottor Frankenstein fa rivivere la sua vecchia creatura, ma un ipnotizzatore vuole controllare il mos... Leggi tuttoTornato al suo villaggio natale per continuare le sue ricerche sperimentali, l'indigente dottor Frankenstein fa rivivere la sua vecchia creatura, ma un ipnotizzatore vuole controllare il mostro per sé.Tornato al suo villaggio natale per continuare le sue ricerche sperimentali, l'indigente dottor Frankenstein fa rivivere la sua vecchia creatura, ma un ipnotizzatore vuole controllare il mostro per sé.
- Premi
- 1 candidatura
- Hans
- (as Sandor Eles)
- Body Snatcher
- (non citato nei titoli originali)
- Hypnotized Man
- (non citato nei titoli originali)
- Roustabout
- (non citato nei titoli originali)
- Manservant
- (non citato nei titoli originali)
- Roustabout
- (non citato nei titoli originali)
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- QuizAccording to the Blu-ray's 'making of' featurette, Peter Cushing (Victor Frankenstein) is vigorously cutting away at a cabbage during the title sequence. It was originally used to emulate the crunching sound of slicing through bone, but this was eventually censored with the title music. Cushing, being very adamant on the technical details of his performance, always demanded the presence of technical advisors on set. During the surgical sequences, he wanted to make sure he used the scalpel correctly. He was also quoted to "want to convince any doctors in the audience."
- BlooperThe creature breaks into the Bergomaster's glass bedroom doors but when they're first broken only his shadow is seen and then they're broken more as he walks through them.
- Citazioni
Body Snatcher: [referring to a stolen body] I've got it!
Baron Frankenstein: So I observe... and so will half the county, if you don't hurry up and bring it inside!
- Versioni alternativeTV version removes some scenes from the theatrical release and features 13 minutes of additional footage starring Steven Geray, Maria Palmer, William Phipps. Specifically, the scenes added for TV prints are: the scene in which a reporter asks an old doctor why nobody wants to talk about Baron Frankenstein (the later part of this scene is intercut with shots of the deafmute young woman, who IS part of the movie as originally filmed: the two men watch her and talk about her, but do not interact with her); the flashback scene showing the little girl being traumatized by the monster, becoming deaf and mute as a result (only his feet are shown); and the present-day scene in which the girl's father, now a drunken wreck, is told that psychological help may be able to overcome her muteness. These scenes are inserted into the movie smoothly, via dissolves rather than rough cuts, but they add nothing other than length. None of the characters actually gets involved in the story, and nothing about them is resolved: the reporter doesn't get the scoop he's looking for, the father doesn't get his revenge against the Baron, and the deaf woman doesn't get the therapy mentioned.
- ConnessioniFeatured in Late Movie 18: The Evil of Frankenstein (1980)
Evil of Frankenstein has its flaws, the main one being some of the story which is like different elements from past Universal/Hammer films recycled and cobbled together to sometimes muddled and underdeveloped effect, there are though some interesting elements(I personally found the mute girl subplot quite touching). It also took a while to get going and there is a clumsy and contrived script with a number of contradictory elements compared to other Frankenstein films, as a standalone the film's okay but continuity-wise comparatively it just didn't seem to fit. The monster's make-up is poor this time round, wasn't crazy about it in Curse of Frankenstein(the only real criticism this viewer had of that film) but at least the make-up in that film didn't look like layers of out of date oatmeal being put on the actor's head and face like here, giving it a fake rather than freaky look. It was nice to see the Monster as a misunderstood creature again but Kiwi Kingston for personal tastes played the role rather lifelessly, the monster never felt menacing here and it wasn't easy to root for him either. Sandor Eles also does next to nothing with a very underwritten role.
However, Evil of Frankstein looks great apart from one cheap back-screen projection. The cinematography is simply splendid with nice shadowy effects and the sets and costumes are wonderfully sumptuous and Gothic, who can't love the lab set. Freddie Francis had big shoes to fill and his direction was a respectable effort but there was a sense that he wasn't quite the right man for the job. Narratively and pacing-wise, his direction does have a tendency to lumber but when it comes to the visuals and creating an atmosphere Francis' experience as a cinematographer shines through. There are some effective scenes here, the opening scene is brilliantly creepy and the climax and monster-coming-to-life scene are exciting. One notable exception is Frankenstein's escape from the Burgomaster, clumsily done as well as a little cheap-looking and should have been excised(personal view of course). Don Banks' music score is enough to evoke chills. The cast are good on the whole. Peter Cushing comes out on top as a more sympathetic than usual Frankenstein, he gives an as always great performance and makes his lacking dialogue seem more than it actually is. Peter Woodthorpe plays an absolute slimeball and literally has a ball with it while Katy Wild is touching as Rena the mute beggar girl, conveying a good deal of emotions through eyes and facial expressions.
Overall, very watchable but this is not Hammer at their best. 6/10 Bethany Cox
- TheLittleSongbird
- 9 gen 2015
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Evil of Frankenstein
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 24 minuti
- Proporzioni
- 1.85 : 1