The first interpretation of James Jones' novel is an OK movie. Nothing really stuck with me, though. It condenses about five characters each into the two lead characters in order to make a well rounded film that fairly expresses Jones' ideas on men in war. It is an interesting psychological study on men, not under stress, but facing death, either from a distance, or up close. There are some great moments in this, and the acting is superb. I did think, though, that the sexual feelings of the novel did not translate so well into the early 60's film. The battle are also utterly unconvincing. Death is still portrayed as a somewhat painless event (with the near exception of one great scene), it leans more to the earlier gung ho war movies than, say, Paths of Glory or All Quiet on the Western Front. The battle scenes are ultimately silly and cartoonish. Two men climb a cliff because the valley below is mined. One knocks over a big rock that causes a chain reaction and all the rocks fall into the valley and clear the mine field. This kind scene is not meant to be surreal, so it loses on the realism scale. This is not the way Jones wanted war depicted. The kind of silly inventiveness of the battle scenes does not exist in all out combat. But, I must say, it does succeed in some scenes, and the performances are all great. I must also say that the end is extremely powerful. It made all the cheesey set pieces and battle scenes disappear from my mind. That last shot is the tone of Jones' novels, a tone From Here to Eternity got right all the way through, and Terrence Malick's Thin Red Line also successfully portrayed (But stepped away to alow contemplation, not to experience.) That last scene makes it a good movie, but it couldn've been done better. Actually, it was done better. I still recommend it. It has its ideas in the right place, but its execution is a bit showy and not realistic enough.
