Un misterioso guerriero vichingo lanciatore di coltelli protegge una giovane contadina e suo figlio dalle grinfie di un malvagio reggente deciso a rivendicare per sé il titolo di re e della ... Leggi tuttoUn misterioso guerriero vichingo lanciatore di coltelli protegge una giovane contadina e suo figlio dalle grinfie di un malvagio reggente deciso a rivendicare per sé il titolo di re e della donna.Un misterioso guerriero vichingo lanciatore di coltelli protegge una giovane contadina e suo figlio dalle grinfie di un malvagio reggente deciso a rivendicare per sé il titolo di re e della donna.
- Premi
- 1 vittoria e 1 candidatura in totale
Fausto Tozzi
- Hagen
- (as Frank Ross)
Giacomo Rossi Stuart
- King Arald
- (as Jack Rossi Stuart)
Luciano Pollentin
- Moki
- (as Louis Polletin)
Amedeo Trilli
- Viking King
- (as Michael Moore)
Renato Terra
- Hagen's Henchman
- (as Rodney Terra)
Sergio Cortona
- Hagen's Henchman
- (as Sidney Cortèz)
Elissa Pichelli
- Karin
- (as Lisa Wagner)
Bruno Ariè
- Hut Intruder
- (non citato nei titoli originali)
Nadia Marsala
- Viking Girl
- (non citato nei titoli originali)
Osiride Pevarello
- Hagen's Henchman
- (non citato nei titoli originali)
Goffredo Unger
- Hagen's Henchman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizDirector Mario Bava was brought in to salvage the troubled production after the original director was fired. Bava wound up scrapping most of the footage that had already been shot, threw out the old script, and rewrote and reshot virtually the entire film in six days.
- ConnessioniReferenced in Keoma (1976)
Recensione in evidenza
Cameron Mitchell and his stunt double take on the Viking hordes in this cheaply made Mario Bava film that carries a little more emotional weight than usual. This film cost $75,000 to make, which is surely really cheap even for 1966?
The story is this: jerk Viking Hagen has just returned from exile to his home town to claim the throne from himself, as the previous King, Arald, has seemingly drowned at sea. The only way Hagen can become King is to marry Arald's wife, Karin, but she has gone into hiding to get away from him, hiding with her son in a remote cottage. Hagen has his men scour the land looking for her, and ignores the prophecy of a strange old woman that a man is on his way to kill Hagen.
One day, hunky Cameron Mitchell turns up at the cottage looking for shelter and some food, and ends up saving Karin from two of Hagen's men in a rather violent fight. Turns out Cameron is a drifter who offers his services to Karin and starts training her son to be a fierce fighter, but also falls in love with Karin and sees the kid as some sort of surrogate son. This is all heading somewhere!
Everyone has a past and it's the past that comes back to haunt the characters in this film, as Cameron seeks both revenge and redemption and is actually quite believable as a man torn between his conflicting emotions. He's also hard as nails and takes down quite a few of Hagen's men with his throwing knives, even if his stunt double has a totally different colour of hair.
You can tell this was made cheaply, due to the limited sets, most of the action on the beach taking place in the one area, and a general sparse feel to the whole film, but then again you've got Mario Bava behind the camera, so everything looks better than any big budget film made last week with the most hi-tech CGI you can imagine. Plenty of action too, mainly Cameron taking on gurff Viking types.
He also gets a good performance out of Cameron Mitchell, who is prone to hamming it up in most of his roles. Here he exudes warmth and regret and finally, resignation, and his character does go on some kind of personal journey that ends in a bitter victory.
The story is this: jerk Viking Hagen has just returned from exile to his home town to claim the throne from himself, as the previous King, Arald, has seemingly drowned at sea. The only way Hagen can become King is to marry Arald's wife, Karin, but she has gone into hiding to get away from him, hiding with her son in a remote cottage. Hagen has his men scour the land looking for her, and ignores the prophecy of a strange old woman that a man is on his way to kill Hagen.
One day, hunky Cameron Mitchell turns up at the cottage looking for shelter and some food, and ends up saving Karin from two of Hagen's men in a rather violent fight. Turns out Cameron is a drifter who offers his services to Karin and starts training her son to be a fierce fighter, but also falls in love with Karin and sees the kid as some sort of surrogate son. This is all heading somewhere!
Everyone has a past and it's the past that comes back to haunt the characters in this film, as Cameron seeks both revenge and redemption and is actually quite believable as a man torn between his conflicting emotions. He's also hard as nails and takes down quite a few of Hagen's men with his throwing knives, even if his stunt double has a totally different colour of hair.
You can tell this was made cheaply, due to the limited sets, most of the action on the beach taking place in the one area, and a general sparse feel to the whole film, but then again you've got Mario Bava behind the camera, so everything looks better than any big budget film made last week with the most hi-tech CGI you can imagine. Plenty of action too, mainly Cameron taking on gurff Viking types.
He also gets a good performance out of Cameron Mitchell, who is prone to hamming it up in most of his roles. Here he exudes warmth and regret and finally, resignation, and his character does go on some kind of personal journey that ends in a bitter victory.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Knives of the Avenger
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 75.000 USD (previsto)
- Tempo di esecuzione1 ora 25 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was I coltelli del vendicatore (1966) officially released in India in English?
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