Aggiungi una trama nella tua linguaA Jewish pawnbroker, victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.A Jewish pawnbroker, victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.A Jewish pawnbroker, victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.
- Candidato a 1 Oscar
- 6 vittorie e 10 candidature totali
- Jesus Ortiz
- (as Jaime Sanchez)
Trama
Lo sapevi?
- QuizRichard Sylbert's set was deliberately designed to be a series of cages--wire meshes, bars, locks, alarms, etc.--to symbolize that even though Sol was no longer in a concentration camp, he was effectively still imprisoned by his memories.
- BlooperAs Jesus runs down the street, his shirt changes from a V-neck to a turtle neck, and then back again.
- Citazioni
Jesus Ortiz: Say, how come you people come to business so naturally?
Sol Nazerman: You people? Oh, let's see. Yeah. I see. I see, you... you want to learn the secret of our success, is that right? Alright I'll teach you. First of all you start off with a period of several thousand years, during which you have nothing to sustain you but a great bearded legend. Oh my friend you have no land to call your own, to grow food on or to hunt. You have nothing. You're never in one place long enough to have a geography or an army or a land myth. All you have is a little brain. A little brain and a great bearded legend to sustain you and convince you that you are special, even in poverty. But this little brain, that's the real key you see. With this little brain you go out and you buy a piece of cloth and you cut that cloth in two and you go and sell it for a penny more than you paid for it. Then you run right out and buy another piece of cloth, cut it into three pieces and sell it for three pennies profit. But, my friend, during that time you must never succumb to buying an extra piece of bread for the table or a toy for a child, no. You must immediately run out and get yourself a still larger piece cloth and so you repeat this process over and over and suddenly you discover something. You have no longer any desire, any temptation to dig into the Earth to grow food or to gaze at a limitless land and call it your own, no, no. You just go on and on and on repeating this process over the centuries over and over and suddenly you make a grand discovery. You have a mercantile heritage! You are a merchant. You are known as a usurer, a man with secret resources, a witch, a pawnbroker, a sheenie, a makie and a kike!
Jesus Ortiz: [long pause] You really some teacher, Mr. Nazerman. You really, really 's the greatest.
played by Rod Steiger, is an aging Holocaust concentration camp survivor
running a pawnshop in New York. A young hispanic man who works in the
pawnshop looks up to Steiger's character, hoping to learn from the older man's years of experience and expertise in both financial and other business matters.
Steiger's character is emotionally closed throughout the entire length of the film. Jarrring flashbacks to the time when Nazerman was happy with his wife and two small children become increasingly menacing and tragic as the Nazi
domination and cruelty become more dominant. Steiger's character survives his family. The guilt attached to that survival haunts Nazerman as he numbly
proceeds throughout the present-day portions of the film.
This movie takes a huge risk even in it's premise because the title character is never really likable. You certainly have empathy for what Nazerman has
experienced in his life, but the harsh and dismissive way in which he treats both people close to him and the tragic figures who frequent his pawnshop leave you little choice but to have mixed feelings about this man.
Rod Steiger is excellent. It's incredible to think that less than three years later after playing this character, an elderly Jewish concentration camp survivor,
Steiger won an Oscar for his portraying southern bigoted police chief Bill
Gillespie in Norman Jewison's In the Heat of the Night.
Sidney Lumet's direction is excellent. The photography is a starkly shot black and white with a grainy almost documentary-type feel to it. The score by Quincy Jones is somewhat uneven, with inappropriate upbeat instrumentation intruding in to somber scenes.
All in all, a very good film, but definitely excruciatingly somber in tone.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Pawnbroker
- Luoghi delle riprese
- 1642 Park Avenue, Manhattan, New York, Stati Uniti(Nazerman's pawn shop)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 930.000 USD (previsto)
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1