Aggiungi una trama nella tua linguaA woman's sexual compulsions threaten to destroy her marriage.A woman's sexual compulsions threaten to destroy her marriage.A woman's sexual compulsions threaten to destroy her marriage.
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Trama
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- QuizThe on-screen epilogue is taken from Alexander Pope's "Epistle II --- To a Lady --- Of the Characters of Women" (1735): "Wise Wretch! with Pleasures too refin'd to please, With too much Spirit to be e'er at ease, With too much Quickness ever to be taught, With too much Thinking to have common Thought: You purchase Pain with all that Joy can give, And die of nothing but a Rage to live."
- BlooperNo interior rear-view mirror in Suzanne Pleshette's estate car when she gives Ben Gazzara a lift in the rain.
- Citazioni
Grace Caldwell: I thought I loved him, and then I found I could feel the same way about someone else, someone different.
Brock Caldwell: Grace, that isn't love.
Grace Caldwell: No. But it's being wanted and needed and held close. It's almost love.
Brock Caldwell: "Almost love"? You don't have to settle for that.
Grace Caldwell: I'm not settling.
Brock Caldwell: I just don't get this. You talk like a girl who's got nothing else in her life, who nobody cares about ...
Grace Caldwell: No ...
Brock Caldwell: Well, that's the way it sounds --
Grace Caldwell: I don't care how it sounds. When I feel that way, I can't think of anything else. Doesn't matter who I am or what I'm supposed to be. Nothing matters. I can't help it.
- Colonne sonoreRage To Live
Music by Art Ferrante and Lou Teicher
Lyrics by Noel Sherman
Performed on two pianos by Art Ferrante (as Ferrante) and Lou Teicher (as Teicher)
A fabulous movie, well written, beautifully filmed and acted, intense and fast and beautiful, a real dramatic drama. And Suzanne Pleshette as the star is an astonishment, subtle and sharp and exactly what her part demands as the rich and sexually charged girl in a sleepy Pennsylvania town. Her two main men, played by Ben Gazzara and Bradford Dillman, are right on as well, and throw in Peter Graves as a third man in her life, and you get the range of characters and a sense of the plot. Yes, she's pulled by a handsome guy whether it's her husband or not.
And yet she never comes off to me as the "tramp" that some call her. She's warm and generous and seems to just be living her life as a nice person, even regretting her slipping off the straight and narrow now and then. The town's reaction is startling and believable. A really fabulous situation, a soap opera of sorts, but given a wonderful sense of form and pace and eventually high drama.
Director Walter Grauman is not a household name of course, and he directed mainly television, but he makes this a very slick and powerful production. The second half, especially, where Gazzara and Pleshette have a lot of screen time together, develops emotionally. Yes, the turns and conflicts are not total surprises, but they're well placed. Gazzara might be familiar to some for his role in "Anatomy of a Murder" across from Jimmy Stewart. Pleshette had a career with few great movies, but she did appear (second to Tippy Hedron) in "The Birds."
A vastly underrated movie, coming just a year or so before the big shift in styles and "New Hollywood." It's widescreen black and white, quite a treat to watch on every level. I guarantee it'll rise in value over the next decade.
- secondtake
- 13 mag 2011
- Permalink
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Dettagli
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Proporzioni
- 2.35 : 1