VALUTAZIONE IMDb
6,3/10
8272
LA TUA VALUTAZIONE
La prima astronave Americana inviata su Venere atterra al largo della costa Siciliana, portando con se una mostruosa creatura simile ad una lucertola che diventa presto gigantesca.La prima astronave Americana inviata su Venere atterra al largo della costa Siciliana, portando con se una mostruosa creatura simile ad una lucertola che diventa presto gigantesca.La prima astronave Americana inviata su Venere atterra al largo della costa Siciliana, portando con se una mostruosa creatura simile ad una lucertola che diventa presto gigantesca.
Thomas Browne Henry
- Maj. Gen. A.D. McIntosh
- (as Thomas B. Henry)
Bart Braverman
- Pepe
- (as Bart Bradley)
Sid Cassel
- Farmer
- (non citato nei titoli originali)
Neil Collins
- Technician
- (non citato nei titoli originali)
Paul Cristo
- Police Officer
- (non citato nei titoli originali)
Noel Drayton
- 1st Reuters News Correspondent
- (non citato nei titoli originali)
Darlene Fields
- Miss Reynolds
- (non citato nei titoli originali)
Duke Fishman
- Fisherman
- (non citato nei titoli originali)
Michael Garth
- Minor Role
- (non citato nei titoli originali)
Ray Harryhausen
- Man Feeding Elephant
- (non citato nei titoli originali)
Ronald Hyde
- Policeman Shooting Flamethrower
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe film was originally going to be set in Chicago, with the rocket crashing in Lake Michigan. Right before submitting the idea to producer Charles H. Schneer, Ray Harryhausen decided to change the setting to Italy at the last minute, after deciding that he always wanted to go on vacation there.
- BlooperThe General, fearing that the space ship has sunk, points to a body of water on the map and says that the lost astronauts are now "20,000 leagues under the sea." Of course, it's a coy reference to the recent sci-fi flick 20.000 leghe sotto i mari (1954) (and Jules Verne's novel). However, a league is about 3 miles; no ship could sink 60,000 miles under the sea since the earth isn't that large. The Verne title refers to the amount of miles traveled under the sea, not how deep the craft was operating. So the General has made a geographical error while trying to make a hip quip.
- Citazioni
Dr. Judson Uhl: You better tell them we're in a hurry and to roll up the red tape and put it into a drawer until this thing is over!
- Curiosità sui creditiOpening credits prologue: A FISHING VILLAGE IN SICILY
- Versioni alternativeMany local TV stations delete the scene in which the Ymir kills an elephant from a zoo, claiming the scene is a needless depiction of cruelty to animals.
- ConnessioniEdited from Ultimatum alla Terra (1951)
Recensione in evidenza
Let's state the obvious right off the bat. If it weren't for the stop-motion animation in this film, it would be simply awful. Awful acting, awful script, mediocre direction, this film has it all.
But once the monster appears on screen, none of that matters. Ray Harryhausen's animation is, as always, simply spellbinding, giving the monster, paradoxically, both a heightened reality (as it really is a physical object photographed in "real life") and a dreamlike quality. It's easy to see how Harryhausen's work set the standards for monster special effects until Star Wars and computer animation came along many years later.
This film is a particularly good example of his work for a number of reasons. There's only one monster (unlike the Sinbad/Jason/Titans movies), so all his effort is spent on that one "character". The monster also starts out small and grows huge by the end of the movie, allowing us to see it in a variety of settings. And, the fact that it's a humanoid (rather than a dinosaur or big octopus) allows it to "act" in a much more expressive manner (not unlike the original Kong).
So while this movie may qualify as little more than "MST3K" fodder as a science fiction work (did I mention how truly awful the script is?), as a piece of animation, it's a pure classic, deserving a space on your shelf next to King Kong, Snow White and Fantasia.
But once the monster appears on screen, none of that matters. Ray Harryhausen's animation is, as always, simply spellbinding, giving the monster, paradoxically, both a heightened reality (as it really is a physical object photographed in "real life") and a dreamlike quality. It's easy to see how Harryhausen's work set the standards for monster special effects until Star Wars and computer animation came along many years later.
This film is a particularly good example of his work for a number of reasons. There's only one monster (unlike the Sinbad/Jason/Titans movies), so all his effort is spent on that one "character". The monster also starts out small and grows huge by the end of the movie, allowing us to see it in a variety of settings. And, the fact that it's a humanoid (rather than a dinosaur or big octopus) allows it to "act" in a much more expressive manner (not unlike the original Kong).
So while this movie may qualify as little more than "MST3K" fodder as a science fiction work (did I mention how truly awful the script is?), as a piece of animation, it's a pure classic, deserving a space on your shelf next to King Kong, Snow White and Fantasia.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- A 30 milioni di Chilometri dalla Terra
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Proporzioni
- 1.85 : 1
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