VALUTAZIONE IMDb
6,9/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTrue story of the life of Jimmy Piersall, who battled mental illness to achieve stardom in major league baseball.True story of the life of Jimmy Piersall, who battled mental illness to achieve stardom in major league baseball.True story of the life of Jimmy Piersall, who battled mental illness to achieve stardom in major league baseball.
- Premi
- 1 candidatura
John Aberle
- Ballplayer
- (non citato nei titoli originali)
Eric Alden
- Policeman
- (non citato nei titoli originali)
Heather Ames
- Nurse
- (non citato nei titoli originali)
Sam Balter
- Broadcaster
- (voce)
- (non citato nei titoli originali)
Mary Benoit
- Nurse
- (non citato nei titoli originali)
John Benson
- Reporter
- (non citato nei titoli originali)
Don Brodie
- Reporter Evans
- (non citato nei titoli originali)
Richard Bull
- Reporter Slade
- (non citato nei titoli originali)
Bart Burns
- Joe Cronin
- (non citato nei titoli originali)
Edd Byrnes
- Boy in Car Assisting Jimmy Up Stairway
- (non citato nei titoli originali)
Wade Cagle
- Intern
- (non citato nei titoli originali)
Keith Coyne
- Baby
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe real Jimmy Piersall disowned the movie due to its distortion of the facts. Based on the success of his autobiography and the movie, Piersall penned a second book in 1985 called The Truth Hurts, which detailed his ousting from the White Sox organization.
- BlooperClose-up shots of Jimmy Piersall playing shortstop and right field reveal a low outfield wall backed by trees in the background. These games were supposed to be in Fenway Park, which would have a high left field wall and bleachers in right field.
- Citazioni
Jim Piersall: I don't care what happens. I love you Mary!
- ConnessioniFeatured in Diamonds on the Silver Screen (1992)
Recensione in evidenza
If this story were filmed today, the treatment would be much more stark and realistic. But for a film in the mid-50s, it provided quite a punch in conveying the agony of growing up with a loving but very demanding father. When I saw it in the theater, I never questioned Anthony Perkins as a teenager in the first part; today, this is much more difficult to swallow. Even though dated somewhat, the film is still worth a watch.
Karl Malden is excellent as a father driven by his own sense of failure to attempt to live vicariously through his son. As a result, he literally orchestrates his son's life. Never accepting the `glory' of the moment, he places constant expectations and demands on his son. Possibly this is Malden's best role.
Tony Perkins has some fine moments of anguish and neuroticism as the ball player, Jimmy Piersall. One scene between his father and him after his breakdown is superbly acted with Perkins running through a panoply of emotions. That this emotional turmoil is somewhat subdued is to the credit of the film. Norma Moore gives a competent and rather understated performance as his wife. The doctor, played by Adam Williams, is appropriately comforting, but he's not up to delivering the big line, especially in his intense scene with Malden. Regretfully, Perry Wilson as Piersall's submissive mother, didn't have more of a role.
Some very nice photography using the angularity of steps and bleachers and railroad stations conveys the underlying jaggedness and tension of emotions. Elmer Bernstein's soundtrack is effective in supporting the mood of the film.
Karl Malden is excellent as a father driven by his own sense of failure to attempt to live vicariously through his son. As a result, he literally orchestrates his son's life. Never accepting the `glory' of the moment, he places constant expectations and demands on his son. Possibly this is Malden's best role.
Tony Perkins has some fine moments of anguish and neuroticism as the ball player, Jimmy Piersall. One scene between his father and him after his breakdown is superbly acted with Perkins running through a panoply of emotions. That this emotional turmoil is somewhat subdued is to the credit of the film. Norma Moore gives a competent and rather understated performance as his wife. The doctor, played by Adam Williams, is appropriately comforting, but he's not up to delivering the big line, especially in his intense scene with Malden. Regretfully, Perry Wilson as Piersall's submissive mother, didn't have more of a role.
Some very nice photography using the angularity of steps and bleachers and railroad stations conveys the underlying jaggedness and tension of emotions. Elmer Bernstein's soundtrack is effective in supporting the mood of the film.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Fear Strikes Out
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was Prigioniero della paura (1957) officially released in Canada in English?
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