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7,5/10
38.552
LA TUA VALUTAZIONE
Jack Crabb, guardando indietro dalla vecchiaia estrema, racconta della sua vita cresciuta dai nativi americani e combattendo con il generale Custer.Jack Crabb, guardando indietro dalla vecchiaia estrema, racconta della sua vita cresciuta dai nativi americani e combattendo con il generale Custer.Jack Crabb, guardando indietro dalla vecchiaia estrema, racconta della sua vita cresciuta dai nativi americani e combattendo con il generale Custer.
- Candidato a 1 Oscar
- 5 vittorie e 11 candidature totali
Aimee Eccles
- Sunshine
- (as Amy Eccles)
Carole Androsky
- Caroline
- (as Carol Androsky)
Jesse Vint
- Lieutenant
- (as Jess Vint)
Trama
Lo sapevi?
- QuizThe role of Old Lodge Skins was initially offered to Marlon Brando, who turned it down. Other sources claim Arthur Penn's first choice for the role was Sir Laurence Olivier. When that didn't work out, Richard Boone was slated for the role. When Boone backed out at the last minute, Chief Dan George was given the part and earned an Oscar nomination.
- BlooperThe wires forcing a horse to fall are visible in the final battle scene, just before Custer exclaims "Fools! They're shooting their own horses!"
- Citazioni
Old Lodge Skins: There is an endless supply of white men. There has always been a limited number of human beings.
- ConnessioniFeatured in Storie del vecchio west: The Drummer (1972)
- Colonne sonoreBringing In the Sheaves
(1880) (uncredited)
Music by George A. Minor (1880)
Hymn by Knowles Shaw (1874)
Sung a cappella by Faye Dunaway
Recensione in evidenza
Little Big Man (1970)
Well, this was destined to be a headliner--Arthur Penn directing (after "Bonnie and Clyde") and Dustin Hoffman (after "The Graduate" and "Midnight Cowboy"). And it's a comedy in the wackiest way. Hoffman is a survivor from Little Big Horn (Custer's Last Stand) and this is an invented life up to that point, told from memory to man with a tape recorder at the age of 123.
And the old (old!) Hoffman is pretty terrific, mostly in the narration, but including some pretty caked on make-up, too. Most of the movie is a young Hoffman as both Indian and White Man (alternating, depending on how he gets miraculously saved from one disaster after another). It's a farce, yes, but there are overtones of tragedy throughout (the annihilation of a race can only be so funny for so long) and there are some truly violent scenes, mostly of Indians being slaughtered by the Army.
It might help to know this is a metaphor of sorts about the brutality of the Army in Vietnam, which was raging at the time. It does make it all less frivolous. But it's also just fine as a crazy retelling of the last great famous Indian War, and the events (more or less) leading up to it. Hoffman is terrific in his usual way, and the support around him funny, especially the old Indian Chief, played by Chief Dan George. The two other big stars appear only briefly, Faye Dunaway in a couple scenes, and Martin Balsam in one. It's really Hoffman's film, and Penn's, too, with a grand and complex range of scenes inside and out, night and day, city and wide open country.
It didn't strike me as a brilliant film, or even as funny as it could have been, but it's endlessly engaging and there are some witty and funny moments sprinkled all through. It is long, and I might not call it slow even though it feels like it drags here and there, for sure.
Well, this was destined to be a headliner--Arthur Penn directing (after "Bonnie and Clyde") and Dustin Hoffman (after "The Graduate" and "Midnight Cowboy"). And it's a comedy in the wackiest way. Hoffman is a survivor from Little Big Horn (Custer's Last Stand) and this is an invented life up to that point, told from memory to man with a tape recorder at the age of 123.
And the old (old!) Hoffman is pretty terrific, mostly in the narration, but including some pretty caked on make-up, too. Most of the movie is a young Hoffman as both Indian and White Man (alternating, depending on how he gets miraculously saved from one disaster after another). It's a farce, yes, but there are overtones of tragedy throughout (the annihilation of a race can only be so funny for so long) and there are some truly violent scenes, mostly of Indians being slaughtered by the Army.
It might help to know this is a metaphor of sorts about the brutality of the Army in Vietnam, which was raging at the time. It does make it all less frivolous. But it's also just fine as a crazy retelling of the last great famous Indian War, and the events (more or less) leading up to it. Hoffman is terrific in his usual way, and the support around him funny, especially the old Indian Chief, played by Chief Dan George. The two other big stars appear only briefly, Faye Dunaway in a couple scenes, and Martin Balsam in one. It's really Hoffman's film, and Penn's, too, with a grand and complex range of scenes inside and out, night and day, city and wide open country.
It didn't strike me as a brilliant film, or even as funny as it could have been, but it's endlessly engaging and there are some witty and funny moments sprinkled all through. It is long, and I might not call it slow even though it feels like it drags here and there, for sure.
- secondtake
- 30 nov 2011
- Permalink
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Dettagli
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 31.559.552 USD
- Lordo in tutto il mondo
- 31.559.552 USD
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By what name was Piccolo grande uomo (1970) officially released in India in English?
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