I must confess to "umming and ahhing" a fair bit as to whether I really wanted to see this film. I've got nothing against James Garner, but he just didn't say "spaghetti western protagonist" to me. He doesn't have that certain "kill" look in his eye (think Eastwood, Nero, Gemma, Steffen et el). However, having always respected Howard Hughes' "Essentials" book, this was one of the few films that he had covered so far that I had not seen - and his recommendations had generally not disappointed. I am really glad that I did dispel these initial reservations, because Man Called Sledge makes great viewing from beginning to end.
Luther Sledge (Garner) is introduced to us as he enters a bar with one of his cohorts. Leaving his colleague to participate in an ill-fated card game, Sledge reunites himself with his lover Ria (Laura Antonelli). After a night of passion (lucky man!) he is woken by the sound of a gunshot. He returns to the bar to find his partner dead, and forced to defend himself against the killers. An old timer witness (John Marley) confirms that Sledge has merely defended himself.
Sledge and the old timer soon cross paths again, with the former assuming that he is being tracked due to the price on his head. However, it soon transpires that the old man has been spying on a delivery of gold. This gold is transported by a posse of armed guards and stored in a top security prison overnight. The old man recounts how he spent time in the jail, with his cell sitting side by side to the safe.
The lure of the gold is too much for Sledge, and he is soon devising a scheme to get his hands on the horde and allow him to settle down and lead an honest life with Ria. And what better way to get access to the treasure than to find ones self imprisoned in the jail......
A simple yet highly enjoyable idea for a story, with double crossing aplenty and a cracking soundtrack. If truth be told, I am still not completely sold on Messrs Garner and Weaver in the spaghetti genre, but the film itself more than makes up for such minor grumbles. There are some great scenes, with Sledge's wilful imprisonment (with some very shady characters forming his prison mates) a particular highlight.
Highlighly recommended, and grasping at a possible "must view" berth.
