Aggiungi una trama nella tua linguaA childless middle-age couple adopt a troubled youth they find living in their crawlspace and attempt to get him to rejoin society with tragic results.A childless middle-age couple adopt a troubled youth they find living in their crawlspace and attempt to get him to rejoin society with tragic results.A childless middle-age couple adopt a troubled youth they find living in their crawlspace and attempt to get him to rejoin society with tragic results.
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- BlooperWhen the car won't start, Albert gets out to check under the hood. The reason the car won't start is because the distributor cap has been unclipped and lifted off the distributor. When Albert tells Alice why the car won't start, he says, "the distributor cap is gone".
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Dave Freeman: Wait your turn, huh?
Recensione in evidenza
Screen veterans Arthur Kennedy ("The Living Dead at Manchester Morgue") and Teresa Wright ("Shadow of a Doubt") play Albert and Alice Graves, a childless middle-aged couple living outside a small town, on the edge of the woods. They discover that Richard Roy Atlee (Tom Happer), a young man who's recently left his job, is now squatting in a crawlspace underneath their kitchen. Initially disturbed, they come to welcome his presence, and although somewhat sullen and withdrawn, he does appreciate the kindness that they show towards him. He never does, however, take them up on their offer to move into one of their actual rooms; he prefers the crawlspace.
There is a feeling of grim inevitability to this engaging made for TV combination of character study and psychological horror. Unfortunately, it comes as no surprise when Richard displays a dark side to his personality. Yet, one can't really hate him; you do feel some sympathy towards him, and realize that he is mentally imbalanced and needs family ties & a sense of belonging.
Of course, this being a TV movie, it's disturbing without being graphic in any way, even when people are felled by bullets or an axe. It's all directed with efficiency by John Newland, who went on to make 'Don't Be Afraid of the Dark', one of the most famous TV horror movies of the 1970s. It gets by largely due to convincing performances by the main trio of actors, and capable work by character actors Eugene Roche ("Slaughterhouse-Five"), as the concerned local police chief, and Matthew Cowles ('All My Children') as a young troublemaker. Kudos, also, to Jerry Goldsmith for his affecting music score and the filmmakers for creating a sombre atmosphere.
Good, if not great, material was scripted by Ernest Kinoy, a TV veteran who worked on things such as 'The Defenders' and 'Roots', from the novel by Herbert Lieberman. It doesn't conclude as strongly as it starts, but it keeps its grip for a decently paced 75 minutes.
Seven out of 10.
There is a feeling of grim inevitability to this engaging made for TV combination of character study and psychological horror. Unfortunately, it comes as no surprise when Richard displays a dark side to his personality. Yet, one can't really hate him; you do feel some sympathy towards him, and realize that he is mentally imbalanced and needs family ties & a sense of belonging.
Of course, this being a TV movie, it's disturbing without being graphic in any way, even when people are felled by bullets or an axe. It's all directed with efficiency by John Newland, who went on to make 'Don't Be Afraid of the Dark', one of the most famous TV horror movies of the 1970s. It gets by largely due to convincing performances by the main trio of actors, and capable work by character actors Eugene Roche ("Slaughterhouse-Five"), as the concerned local police chief, and Matthew Cowles ('All My Children') as a young troublemaker. Kudos, also, to Jerry Goldsmith for his affecting music score and the filmmakers for creating a sombre atmosphere.
Good, if not great, material was scripted by Ernest Kinoy, a TV veteran who worked on things such as 'The Defenders' and 'Roots', from the novel by Herbert Lieberman. It doesn't conclude as strongly as it starts, but it keeps its grip for a decently paced 75 minutes.
Seven out of 10.
- Hey_Sweden
- 5 apr 2018
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