VALUTAZIONE IMDb
7,0/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo New York City cops go after amateur crooks who are trying to rip off the Mafia and start a gang war.Two New York City cops go after amateur crooks who are trying to rip off the Mafia and start a gang war.Two New York City cops go after amateur crooks who are trying to rip off the Mafia and start a gang war.
Joseph Attles
- Mr. Jessup
- (as Joe Attles)
Anthony C. Cannon
- Sal
- (as Anthony Cannon)
George DiCenzo
- Patrolman
- (as George Di Cenzo)
Trama
Lo sapevi?
- QuizAlthough known primarily as a "blaxploitation" film, it holds many Neo Noir elements including police procedural (including Anthony Quinn as a slightly crooked cop with a good heart); poor sympathetic criminals stealing from unsympathetic rich criminals; and different factions of the mob and/or gangs.
- BlooperShortly into the movie while counting the money, two cops knock on the door. The tablecloth with the money is folded up and pushed to the floor. When the cops enter the room the tablecloth, money and briefcase are back on the table.
- Versioni alternativeThe original UK cinema version was cut by the BBFC with edits made to nearly all the fight scenes and shots of beatings, and heavy cuts to shootings and a man on fire during the climax. All later releases were uncut.
- ConnessioniFeatured in Inside 'Live and Let Die' (1999)
Recensione in evidenza
I caught this on BBC 1 one night many years ago . I forgot the title but could vividly remember a number of scenes especially a line of dialogue where two characters describe a third one having his genitals mutilated . This type of movie would be broadcast on television 30 years ago and no one would blink an eyelid but at the same time you can understand why it wouldn't be shown on network TV today . It as also a sign of the times back then that the TV broadcast had the F word overdubbed to something less offensive but the racial slurs against both black and whites remained intact . Perhaps the fact this film is consciously insensitive and hard hitting works against it ? This is a pity because it's not some " Blaxploitation " fare but more of a New Hollywood thriller at its best
The story itself is no great shakes - a couple of black dudes rip off and kill a few members of the Mafia and the black underworld and also kill a couple of uniformed cops in the process and find if not the entire world against them then at least the law enforcers and law breakers of NYC wanting to cap their ass . It's the sort of film Tarantino has been inspired by but unlike Tarantino's work this movie is devoid of post modernism and crippling self indulgence and is a relatively tightly plotted screenplay where lots of nasty things happen to lots of nasty people . There's a subplot featuring character interaction between Anthony Quinn's nasty racist white cop and Yaphet Kotto's not very nasty by the books black cop that might have been clichéd but does seem fresh and realistic , probably down to the fact the performances and writing portraying a rather amoral relationship between the two men and the wider world . And this does feel like an exceptionally amoral film that we never see nowadays more is the pity
The story itself is no great shakes - a couple of black dudes rip off and kill a few members of the Mafia and the black underworld and also kill a couple of uniformed cops in the process and find if not the entire world against them then at least the law enforcers and law breakers of NYC wanting to cap their ass . It's the sort of film Tarantino has been inspired by but unlike Tarantino's work this movie is devoid of post modernism and crippling self indulgence and is a relatively tightly plotted screenplay where lots of nasty things happen to lots of nasty people . There's a subplot featuring character interaction between Anthony Quinn's nasty racist white cop and Yaphet Kotto's not very nasty by the books black cop that might have been clichéd but does seem fresh and realistic , probably down to the fact the performances and writing portraying a rather amoral relationship between the two men and the wider world . And this does feel like an exceptionally amoral film that we never see nowadays more is the pity
- Theo Robertson
- 20 dic 2014
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- Across 110th Street
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- Azienda produttrice
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Botteghino
- Lordo Stati Uniti e Canada
- 3.601.306 USD
- Lordo in tutto il mondo
- 10.000.000 USD
- Tempo di esecuzione1 ora 42 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Rubare alla mafia è un suicidio (1972) officially released in India in English?
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