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6,7/10
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LA TUA VALUTAZIONE
Un regista di Hollywood emerge dal semi-esilio con l'intenzione di completare il lavoro su un film innovativo.Un regista di Hollywood emerge dal semi-esilio con l'intenzione di completare il lavoro su un film innovativo.Un regista di Hollywood emerge dal semi-esilio con l'intenzione di completare il lavoro su un film innovativo.
- Premi
- 9 vittorie e 8 candidature totali
Robert Random
- John Dale
- (as Bob Random)
Trama
Lo sapevi?
- QuizThe movie was filmed between 1970 and 1976, with editing continuing into the 1980s. When he died in October 1985, Welles left behind nearly 100 hours of footage and a work print consisting of assemblies and a few edited scenes.
- BlooperIn one confrontational scene, Brooks Otterlake, who Gregory Sierra's character, Jack Simon, refers to as, "Kid", is simultaneously Peter Bogdanovich and Rich Little. This is small overlap is because Rich Little was originally cast as the black turtleneck wearing, voice imitating director, Brooks Otterlake. However Bogdanovich replaced him, and Little's part was reduced to that of a Party Guest.
- Citazioni
[last lines]
Jake Hannaford: Who knows, maybe you can stare too hard at something, huh? Drain out the virtue, suck out the living juice. You shoot the great places and the pretty people... All those girls and boys. Shoot 'em dead.
- Curiosità sui creditiAfter the end credits, Hannaford's voice is heard saying "Cut"
- ConnessioniFeatured in AFI Life Achievement Award: A Tribute to Orson Welles (1975)
- Colonne sonoreLes Délinquants
Written and performed by Michel Legrand
Published by WB Music Corp. o/b/o Productions,
Michel Legrand + Editions Royalty
Courtesy of Decca Records France
Under license from Universal Music Enterprises
Recensione in evidenza
I had the privilege of seeing this at the New York Film Festival. A sense of awe descended upon the audience as soon as the opening credits began. The fact that this film was finally completed and released is a triumph in and of itself.
Orson Welles' final film is chaotic and unwieldy, but also very haunting and melancholy. The soundtrack is amazing. There is frankly a sliver of a plot. An aging director attempts to make a comeback as Hollywood has drifted away from his era as he throws a big birthday party in which journalists, critics, admirers and some industry professionals join to celebrate. It soon becomes apparent that reporters are there to ascertain information about more than his work. His new film that is in the works is shown. We get to see an unfinished film within a film that is titled "The Other Side of the Wind", one that is sexually explicit.
The late John Huston portrays Jake Hannaford, the director whose approach to filmmaking has earned him a great following and his relationships with the actors he works with makes him a lightning rod of controversy. Huston's sepulchral voice and domineering presence make him flawless in the role as Hannaford. Peter Bogdanovich is well utilized as a younger, successful director whom Hannaford has taken under his wing but whom now Hannaford consults on how to better reach audiences of the new era.
This film is not flawless. The experience of seeing this at long last outweighs its drawbacks. There are some parts of this film that drag a bit. But there are also many, many scenes that are just astounding and I'm so happy they were finally brought to the big screen. Although this film is inconsistent in its narrative thrust, it returns very quickly to its busy, slightly manic state. I don't know if Welles deliberately left this unfinished. What I can say is that the editing is superb and provides us with a film that is a lasting testament to Welles and his legacy as a filmmaker. Highly recommended.
Orson Welles' final film is chaotic and unwieldy, but also very haunting and melancholy. The soundtrack is amazing. There is frankly a sliver of a plot. An aging director attempts to make a comeback as Hollywood has drifted away from his era as he throws a big birthday party in which journalists, critics, admirers and some industry professionals join to celebrate. It soon becomes apparent that reporters are there to ascertain information about more than his work. His new film that is in the works is shown. We get to see an unfinished film within a film that is titled "The Other Side of the Wind", one that is sexually explicit.
The late John Huston portrays Jake Hannaford, the director whose approach to filmmaking has earned him a great following and his relationships with the actors he works with makes him a lightning rod of controversy. Huston's sepulchral voice and domineering presence make him flawless in the role as Hannaford. Peter Bogdanovich is well utilized as a younger, successful director whom Hannaford has taken under his wing but whom now Hannaford consults on how to better reach audiences of the new era.
This film is not flawless. The experience of seeing this at long last outweighs its drawbacks. There are some parts of this film that drag a bit. But there are also many, many scenes that are just astounding and I'm so happy they were finally brought to the big screen. Although this film is inconsistent in its narrative thrust, it returns very quickly to its busy, slightly manic state. I don't know if Welles deliberately left this unfinished. What I can say is that the editing is superb and provides us with a film that is a lasting testament to Welles and his legacy as a filmmaker. Highly recommended.
- PotassiumMan
- 29 set 2018
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- The Other Side of the Wind
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
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