Aggiungi una trama nella tua linguaRaised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.
- Regia
- Sceneggiatura
- Star
- Mr. Gibbs
- (as Julius W. Harris)
- 'Motor'
- (as Allen W. Bailey)
- Cab Driver
- (as Francisco DeGracia)
Trama
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- QuizWhile filming in Harlem, Larry Cohen was accosted by local gangsters who threatened to disrupt the shoot unless they were paid off. Instead, Cohen offered them small roles in the film. They helped so enthusiastically that they attended the premiere to sign autographs.
- BlooperTommy cuts off the left ear of the man in the barber's chair, but the ear he drops into the plate of spaghetti is a right ear.
- Citazioni
Tommy Gibbs: That used to be home, sweet home, Pa. Top window. Rear
Mr. Gibbs: Always seemed to me like a much bigger building.
Tommy Gibbs: You must know what I do for a living.
Mr. Gibbs: I'm not gonna lecture you. I don't have the right.
Tommy Gibbs: Did it ever occur to you... That I've been waiting 25 years just to kill you?
Mr. Gibbs: No. No. Wait, listen please. I mean, it was the depression. I mean, you don't know what it was like to... Then the war and my chance to get away. You never had those responsibilities. I mean, you never been trapped. Oh, no. Not knowing where to run or who to-- or who to hate. I was 20 years old, 20 years old when I enlisted. And I was a cook all through the war. I was a cook!
Tommy Gibbs: You never sent home one allotment check. My ma had to scrub floors on her hands and knees for pennies!
[pins his father against a wall pointing his gun at him]
Tommy Gibbs: I'm gonna kill you!
Mr. Gibbs: She-- she couldn't get no allotment! We wasn't married legal! Folks didn't bother much in those days.
Tommy Gibbs: [lowers his gun and turns away] She never told me.
Mr. Gibbs: I--I could have sent you something.
Tommy Gibbs: Go on. Start walkin.'
Mr. Gibbs: I didn't mean to break it to you that way. I mean, I wouldn't have said anything...
Tommy Gibbs: Don't matter. Move on, before I change my mind. Pa! I don't ever want to see you again.
Mr. Gibbs: I understand, son.
Reverend Rufus: What are you going to do now? Kill your momma?
- Versioni alternativeThe European version included an additional scene before the end credits, where, after Tommy Gibbs is seen wandering in a neighborhood slum, a street gang robs him and fatally beats him up. This sequence was originally cut from U.S. prints, as AIP was already interested in making a sequel. However, in the late 1990s, when MGM bought the Orion Pictures library, the European cut made its way to home video, due to a mix-up on MGM's part. Therefore, all current video releases, to this day, feature this print.
- ConnessioniFeatured in Tommy Gibbs criminale per giustizia (1973)
** 1/2 (out of 4)
Classic blaxploitation film has Fred Williamson taking on all the crime bosses trying to make it to the top. However, as we all know, once you're at the top there's only one place left to go. I've heard a lot about this blaxploitation film over the years so I was happy to finally get to see it but in the end there's nothing too original here to keep it highly entertaining throughout. I think the biggest problem is that we've seen this type of gangster story countless times before and this one even borrows from some classic gangster films like Scarface and Angels with Dirty Faces. Those homages are fun but the film starts to wear out in the final half hour, although things do pick up for the exciting ending. Williamson turns in a fine performance in the title role and he really was one of the classics of the genre. His tough talk and cool style fit the genre perfectly and director Cohen really knew how to use him. There's all the typical stuff from this genre including the racist whites, cool talk and this one even features a terrific opening song from James Brown. The best scene in the movie is the one where Williamson confronts his father who left him as a child.
- Michael_Elliott
- 8 apr 2008
- Permalink
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