Un uomo, una donna

It is so refreshing to watch a movie like this one. Those comparing it with Hollywood standards such as the density of the plot, the stunts or 'the sex scene' would be wise to take another look. Such standards cannot be applied here. Lelouch plays with colors, objects, and our natural capacity for associative memory to tell us what is neither written nor spoken. The main actors, Jean-Louis Trintignant and Anouk Aimée master the art of expressing the message. Dialogs are far from poor, but the meaning sometimes has to be found in their tone, their breaks, their pace or, again, the characters' play. What would be cinema for if these were useless ?