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Una banda di trafficanti di armi messicani impiegati da un generale rivoluzionario accetta un americano nella loro banda, ignari delle sue intenzioni.Una banda di trafficanti di armi messicani impiegati da un generale rivoluzionario accetta un americano nella loro banda, ignari delle sue intenzioni.Una banda di trafficanti di armi messicani impiegati da un generale rivoluzionario accetta un americano nella loro banda, ignari delle sue intenzioni.
Gian Maria Volontè
- El Chuncho Muños
- (as Gian Maria Volonté)
- …
Jaime Fernández
- General Elías
- (as Jaime Fernandez)
Joaquín Parra
- Picaro
- (as Joaquin Parra)
José Manuel Martín
- Raimundo
- (as José Manuel Martin)
Sal Borgese
- Bandit
- (non citato nei titoli originali)
Damiano Damiani
- Journalist with Gen. Elías
- (non citato nei titoli originali)
Carla Gravina
- Rosario
- (non citato nei titoli originali)
Rufino Inglés
- Capt. Enrique Sanchez Compoy
- (non citato nei titoli originali)
Vicente Roca
- Hotelier
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIt is rumored --to the point of almost being a legend--that director Damiano Damiani became so frustrated with Gian Maria Volontè and Klaus Kinski, two actors who were notorious for being difficult to work with, that one day they pushed him so hard that he beat them and whipped them on the set until they finally behaved and did as they were told.
- BlooperWhen the bolt action rifle are being used they never eject the spent cartridge upon being reloaded, showing them to be empty.
- Citazioni
[last lines]
El Chuncho: [to a beggar he gave money to earlier] Don't buy bread with your money! No, hombre! Buy dynamite! Dynamite! Dynamite! Dynamite!
- ConnessioniFeatured in L'Oeil du cyclone: Westernissimo (1995)
- Colonne sonoreYa Me Voy
(uncredited)
Written by Luis Bacalov
Performed by Ramon Mereles
Courtesy of EMI General Music srl
Recensione in evidenza
Damiano Damiani's 1966 film 'A Bullet for the General' is one of the first examples of the Zapata Western, a sub-genre of the Spaghetti Western that mostly dealt with political themes during the Mexican Revolution of the early 20th century. Gian Maria Volontè plays El Chucho, the leader of a Mexican bandit gang who earn their pay selling arms to revolutionaries - he meets with a suave gringo named Bill Tate (played by Lou Castel) who claims to be on the run from the law and soon finds himself inducted into the group and deep in the heart of the Mexican revolution.
Despite the simple sounding premise 'A Bullet for the General' displays a great depth of character as the protagonists relationships shift with the plot before inevitably exchanging roles. The first hour or so seems like a standard western affair with lots of the usual train hi-jacks and bandit raids, but as the characters develop and their relationships become more strained we see some marvellous performances from the suspicious El Chucho, his brother El Santo (a fanatical Christian revolutionary played by Klaus Kinski) and the cool and un-flustered Bill 'Niño' Tate.
The doubt displayed by El Chucho towards Tate really sets up the finale, and as the film nears the heart of the revolution Tate's motives become clear - but that doesn't stop Damiani pulling a nice twist at the end, endearing Volontè's character and providing a juxtaposition to the characters he made famous in some of Sergio Leone's classic Spaghetti Westerns. In a film dealing largely with role-reversal this is particularly apt.
I didn't quite know what to expect from 'A Bullet for the General', I hadn't previously heard of the director and apparently this was his first foray into the Western genre - but I was pleasantly surprised with the outcome. Providing a good mix of action and politics with commendable performances from Volontè, Kinski and Castel 'A Bullet for the General' is an intriguing and unique example of the Spaghetti Western and well worth your time whether you're a fan of the genre or not.
Despite the simple sounding premise 'A Bullet for the General' displays a great depth of character as the protagonists relationships shift with the plot before inevitably exchanging roles. The first hour or so seems like a standard western affair with lots of the usual train hi-jacks and bandit raids, but as the characters develop and their relationships become more strained we see some marvellous performances from the suspicious El Chucho, his brother El Santo (a fanatical Christian revolutionary played by Klaus Kinski) and the cool and un-flustered Bill 'Niño' Tate.
The doubt displayed by El Chucho towards Tate really sets up the finale, and as the film nears the heart of the revolution Tate's motives become clear - but that doesn't stop Damiani pulling a nice twist at the end, endearing Volontè's character and providing a juxtaposition to the characters he made famous in some of Sergio Leone's classic Spaghetti Westerns. In a film dealing largely with role-reversal this is particularly apt.
I didn't quite know what to expect from 'A Bullet for the General', I hadn't previously heard of the director and apparently this was his first foray into the Western genre - but I was pleasantly surprised with the outcome. Providing a good mix of action and politics with commendable performances from Volontè, Kinski and Castel 'A Bullet for the General' is an intriguing and unique example of the Spaghetti Western and well worth your time whether you're a fan of the genre or not.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- El Chucho Quién Sabe?
- Luoghi delle riprese
- Guadix, Granada, Andalucía, Spagna(train station)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 58 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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