...for cheesy biker movies like this. It's got it all: motorcycle clubs, a hippie commune, a disaffected Viet Nam vet, free love,(and brutal rape), a dive bar that takes Mastercharge (long before it became MasterCARD), go go dancers, skirts so short (and a wardrobe budget so tight) one girl takes a micro-mini dress she wore in a previous scene, tucks it in bell-bottom pants, and voila! It's a blouse; a generic rock score, hard for the bikers, soft for the hippies, chockfull of cliche' "Freedom" anthems, all with lyrics that are trite variations on the counter-culture slogan "Fight the Power!", and a script almost totally devoid of any standard English words, strictly hip "rap" LONG before it went gangsta. So chockful of 60's slang it should be in a linguist's historical archives.
Lead "actor" looks remarkably like porn "actor" Long John Holmes, and is given frequent opportunities to show off his hot bod to the ladies, to the point where the sheriff, his nemesis tells him to "button up:" i was thinking I'm sure he was speaking for the entire audience as well, Only real acting is done by Jack Starrett (Sheriff) and Arlene Martel, "Ginger", (the all-purpose "Hot Chick" name) the woman who owns the biker bar where she takes Mastercharge, best known as one of Captain Kirk's dalliances in the original "Star Trek" TV series. Nobody else of note, except that the Madcaps, the actual biker gang the movie's fictional one is based on, are mentioned in the closing credits, and its members fill up empty space onscreen as needed throughout.
Of course, on their miniscule budget, they can't afford to ride cross-country in search of America, so they hightail it from Bakersfield couple hundred miles to BEVERLY HILLS to become MOVIE STARS--I kid you not.
Absolutely belongs in a time capsule, for appreciators of ancient artifacts.