La ruota di scorta della signora Blossom
Titolo originale: The Bliss of Mrs. Blossom
VALUTAZIONE IMDb
5,6/10
703
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhile her husband works, the wife of a bra manufacturer leads a secret life with her lover, whom she conveniently hides in her attic.While her husband works, the wife of a bra manufacturer leads a secret life with her lover, whom she conveniently hides in her attic.While her husband works, the wife of a bra manufacturer leads a secret life with her lover, whom she conveniently hides in her attic.
Sheila Steafel
- Pet shop saleslady
- (as Sheila Staefel)
Trama
Lo sapevi?
- QuizThis movie is loosely based on a real incident. In the late 1910s and early 1920s, Dolly Oesterreich kept her lover, Otto Sanhuber in the attic where he lived for many years. Her husband Fred ran a company that made aprons. Otto even moved with the couple from Milwaukee, Wisconsin to Los Angeles, California to stay above his lover. Unfortunately, the real story doesn't have the happy ending of the movie.
- BlooperIn the scene where Robert is conducting the Brass Band, a picture of a Mexican (Mr. Tuttle dressed-up) and a dog (Dinky) is visible. These two characters don't appear until later in the picture and Robert only sees the picture for the 'first time' at Mrs.Blossom's picture exhibition after that.
- ConnessioniFeatured in Richard Attenborough: A Life in Film (2014)
Recensione in evidenza
I found the film extremely hard to watch. I saw it on Netflix and I kept stopping it after fifteen or twenty minutes and resuming it the next day until I got through the whole thing.
I generally like Shirley Maclaine and Richard Attenborough and I like splashy British psychedelic 60's movies like "Casino Royale" and "What's New Pussycat" However, Maclaine was unexpectedly listless and dull and Attenborough, despite a brave attempt, could not bring a spark of life to the movie. The great sets are wasted in a movie that seems to want to be hip or hippie, but doesn't know how.
Someone named James Booth is the real star. It was a surprise to see such an unknown actor actually given more screen time than big stars like Maclaine and Attenborough. I kept thinking he was going to disappear from the movie, but instead his part just grew bigger and bigger to the point of pushing the other stars out. To be fair, He apparently did star in five or six movies low budget, moderately successful films in the 60's, but then went into playing mostly guest star television roles for the next 40 years. He plays a part that desperately needs the zaniness of Peter Sellers. One feels as if the part of Ambrose Tuttle, a crazy spaced out genius was written with Sellers in mind. Booth is much too laid back for the absurd cartoon style of the character and the work.
The movie is visually quite interesting, but it pitches, rolls and jumps all over the place. Sadly, the director seems to know nothing about directing actors or scenes. The actors seem to be talking directly to the audience and not each other. This has the effect of making the movie seem like a long episode of the 1960's television show "Rowan and Martin's Laugh-in," but without any jokes. The wonderful time that all the characters appear to be having is not infectious, but annoying.
Anyways, I give the movie one star for Maclaine, one star for Attenborough and one star for the sets, but everything else is a gigantic bore in the film. If you're heavily stoned when watching, as the filmmakers appear to have been when putting this mess together, you can add another three stars.
I generally like Shirley Maclaine and Richard Attenborough and I like splashy British psychedelic 60's movies like "Casino Royale" and "What's New Pussycat" However, Maclaine was unexpectedly listless and dull and Attenborough, despite a brave attempt, could not bring a spark of life to the movie. The great sets are wasted in a movie that seems to want to be hip or hippie, but doesn't know how.
Someone named James Booth is the real star. It was a surprise to see such an unknown actor actually given more screen time than big stars like Maclaine and Attenborough. I kept thinking he was going to disappear from the movie, but instead his part just grew bigger and bigger to the point of pushing the other stars out. To be fair, He apparently did star in five or six movies low budget, moderately successful films in the 60's, but then went into playing mostly guest star television roles for the next 40 years. He plays a part that desperately needs the zaniness of Peter Sellers. One feels as if the part of Ambrose Tuttle, a crazy spaced out genius was written with Sellers in mind. Booth is much too laid back for the absurd cartoon style of the character and the work.
The movie is visually quite interesting, but it pitches, rolls and jumps all over the place. Sadly, the director seems to know nothing about directing actors or scenes. The actors seem to be talking directly to the audience and not each other. This has the effect of making the movie seem like a long episode of the 1960's television show "Rowan and Martin's Laugh-in," but without any jokes. The wonderful time that all the characters appear to be having is not infectious, but annoying.
Anyways, I give the movie one star for Maclaine, one star for Attenborough and one star for the sets, but everything else is a gigantic bore in the film. If you're heavily stoned when watching, as the filmmakers appear to have been when putting this mess together, you can add another three stars.
- jayraskin1
- 22 mag 2012
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By what name was La ruota di scorta della signora Blossom (1968) officially released in India in English?
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