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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaGeorge Armstrong Custer's love of the heroic traditions of the Calvary and his distaste with the coming of industrialization leads him to his destiny at the Little Big Horn.George Armstrong Custer's love of the heroic traditions of the Calvary and his distaste with the coming of industrialization leads him to his destiny at the Little Big Horn.George Armstrong Custer's love of the heroic traditions of the Calvary and his distaste with the coming of industrialization leads him to his destiny at the Little Big Horn.
- Regia
- Sceneggiatura
- Star
Charles Stalmaker
- Lt. Howells
- (as Charles Stalnaker)
Trama
Lo sapevi?
- QuizOriginally to be directed by Akira Kurosawa, but he pulled out.
- BlooperThe troops of the 7th Cavalry are shown with 1873 Winchester rifles, which were in wide use by 1876, but not by the US Army. Custer's men were armed, as all troopers who did not purchase their own rifles were, with the 1873 Springfield Trapdoor carbine, a single-shot weapon. Had Custer's men been armed with the Winchester, it is possible, though unlikely, that they could have held out until relieved.
- Citazioni
Gen. Philip Sheridan: You know, you could become a living legend... or get yourself killed. Dead men make better legends.
- Versioni alternative35mm prints released in both complete and shortened versions. Some shortened versions were titled "A Good Day for Fighting".
- ConnessioniFeatured in I Am Not Your Negro (2016)
Recensione in evidenza
Handsome but dull western (courtesy of Spanish landscapes) to depict Custer on a mission to steal land from the Indians. A blond ROBERT SHAW looks convincing enough on horseback but something about his accent seems wrong and charisma is lacking. The Indians look more European than like American Indians and too many of the action scenes are slow paced and repetitive as Custer and his men go on various missions.
MARY URE as his wife, Libby, has little to do but register impatience with being kept in the background between battles with long waits before she shares the screen with real-life hubby, ROBERT SHAW. A more mature looking JEFFREY HUNTER (sporting gray hairs) is Will Benteen, one of Custer's more loyal officers.
The mountainous plains in Spain are no substitute for our standard glimpses of John Ford territory with not a single shot looking as though photographed in the American West. But it's the dull storyline that defeats the movie from ever becoming anything more than a series of handsomely photographed outdoor sequences. A surprise Indian attack by the Cheyennes on an Indepdence Day Celebration is one of the more colorful moments and triggers Custer's determination to fight the redskins, no matter that they greatly outnumber his men.
Nothing in Shaw's performance suggests the color and vigor of Custer's bigger than life personality nor does the screenplay do any real justice to the man or the myth. As storytelling goes, the first half of the film manages to be just plain dull and the film only picks up speed as it nears the climactic fight at Little Big Horn.
Battle skirmishes with Indians are, on the whole, well staged and full of furious gunsmoke and flying arrows--but the big set piece is saved, of course, for the finale which comes too late to save the first half of the film from the doldrums. One is left with the impression that some inventive fictionalizing would have helped (as it did with THEY DIED WITH THEIR BOOTS ON).
Summing up: A very miscast Shaw plays Custer as a snarling villain who barks orders and the story has a plodding script. Could have been much more impressive if filmed in the U.S. on more realistic locales with more accurate casting. A cameo by ROBERT RYAN is no help at all.
MARY URE as his wife, Libby, has little to do but register impatience with being kept in the background between battles with long waits before she shares the screen with real-life hubby, ROBERT SHAW. A more mature looking JEFFREY HUNTER (sporting gray hairs) is Will Benteen, one of Custer's more loyal officers.
The mountainous plains in Spain are no substitute for our standard glimpses of John Ford territory with not a single shot looking as though photographed in the American West. But it's the dull storyline that defeats the movie from ever becoming anything more than a series of handsomely photographed outdoor sequences. A surprise Indian attack by the Cheyennes on an Indepdence Day Celebration is one of the more colorful moments and triggers Custer's determination to fight the redskins, no matter that they greatly outnumber his men.
Nothing in Shaw's performance suggests the color and vigor of Custer's bigger than life personality nor does the screenplay do any real justice to the man or the myth. As storytelling goes, the first half of the film manages to be just plain dull and the film only picks up speed as it nears the climactic fight at Little Big Horn.
Battle skirmishes with Indians are, on the whole, well staged and full of furious gunsmoke and flying arrows--but the big set piece is saved, of course, for the finale which comes too late to save the first half of the film from the doldrums. One is left with the impression that some inventive fictionalizing would have helped (as it did with THEY DIED WITH THEIR BOOTS ON).
Summing up: A very miscast Shaw plays Custer as a snarling villain who barks orders and the story has a plodding script. Could have been much more impressive if filmed in the U.S. on more realistic locales with more accurate casting. A cameo by ROBERT RYAN is no help at all.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- A Good Day for Fighting
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Tempo di esecuzione2 ore 20 minuti
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By what name was Custer eroe del West (1967) officially released in India in English?
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