Nel 1183 d.C.: i tre figli del re Enrico II vogliono tutti ereditare il trono, ma lui non si impegnerà in una scelta. Loro e sua moglie tramano in vari modi per costringerlo.Nel 1183 d.C.: i tre figli del re Enrico II vogliono tutti ereditare il trono, ma lui non si impegnerà in una scelta. Loro e sua moglie tramano in vari modi per costringerlo.Nel 1183 d.C.: i tre figli del re Enrico II vogliono tutti ereditare il trono, ma lui non si impegnerà in una scelta. Loro e sua moglie tramano in vari modi per costringerlo.
- Vincitore di 3 Oscar
- 16 vittorie e 18 candidature totali
- Strolling Player
- (as Mark Griffith)
Trama
Lo sapevi?
- QuizKatharine Hepburn bested Peter O'Toole as the top dog on the set. Known to be something of a tyrant on most of his shoots, O'Toole meekly obliged, when she told him, "Peter, stop towering over me. Come and sit down and try to look respectable." O'Toole readily admitted in her presence that she reduced him "to a shadow of my former gay-dog self. She is terrifying. It is sheer masochism working with her. She has been sent by some dark fate to nag and torment me." Her reply: "Don't be so silly. We are going to get on very well. You are Irish, and you make me laugh. In any case, I am on to you, and you to me."
- BlooperChristmas trees were a somewhat obscure German tradition, introduced to the British royal family, and, by extension, England, by Queen Charlotte. It was not commonly decorated in English homes until the introduction of this custom by Prince Albert. Even the concept of using glass balls was unknown to Germans until long after the 12th century.
- Citazioni
John: A knife! He's got a knife!
Eleanor of Aquitaine: Of course he has a knife, he always has a knife, we all have knives! It's 1183 and we're barbarians! How clear we make it. Oh, my piglets, we are the origins of war: not history's forces, nor the times, nor justice, nor the lack of it, nor causes, nor religions, nor ideas, nor kinds of government, nor any other thing. We are the killers. We breed wars. We carry it like syphilis inside. Dead bodies rot in field and stream because the living ones are rotten. For the love of God, can't we love one another just a little - that's how peace begins. We have so much to love each other for. We have such possibilities, my children. We could change the world.
- Versioni alternativeA 70mm version was released in Australia in 1969, and in the UK in 1973.
- ConnessioniFeatured in Precious Images (1986)
Sparks really do fly in this wickedly elaborate chess game as the family player pieces weave thick webs of deceit and hatch insidious plots against each another, forming unholy, protean alliances that put those "Survivor" contestants to shame. The pure joy comes from seeing all of them try to outmaneuver each other with every new and different playing piece put on or taken off the board, hatching alternative schemes as fast as one can say "Long live the King!"
Robust, boisterous Peter O'Toole is a raging marvel as the battered but not yet beaten monarch, agonizing over the untrusting, Machiavellian-like brood he's sired, yet relishing the absolute power he holds and dangles over them. The glorious O'Toole is alternately barbarous and bombastic in one of the best roles of his career, and his loss of the Academy Award over, of all people, John Wayne, remains a travesty of justice.
The king's "brood" includes eldest son and heir-apparent, Richard (known as The Lion-hearted) whose fierce courage and burly warrior stance masquerades a forbidden tenderness detrimental to his standing as a king. Anthony Hopkins, in an auspicious screen debut, embodies these tortuous complexities within Richard perfectly, especially in his scenes as "mummy's favorite." The youngest and pruniest of the three princes is John, a rumpled, drooling, inane man-child impossibly spoiled as the King's favorite, played to pathetic amusement by a terrific Nigel Terry. Neglected middle son, Geoffrey, excellently portrayed with jaded, sliver-eyed cunning by John Castle, is a human blueprint of treachery and deceit. Resentful at being overlooked as even a possible contender, he's willing to sell his parents and brothers down the river for exact change.
Also invited to Christmas court is King Phillip II of France, on a revenge mission himself, who locks horns with Henry over lost lands and becomes a willing participant in these under-handed games. Timothy ("007") Dalton drips with smug, venal charm as the slender, softer, inexperienced king who can only battle Henry with words and wit, not weight. The only unblemished pawn here is Alais, the King's adoring young mistress, who is maliciously thrown to the lions by all as lady-in-waiting bait for the dueling princes. Demure, fragile Jane Merrow is the perfect choice for this innocent songbird with nothing and everything to lose
I have saved the best performance for last. As the King most duplicitous irritant, the inimitable Katharine Hepburn portrays Henry's duly banished Queen Eleanor of Aquitaine with all the unparalleled skill and inspired passion imaginable. Handed on a silver platter the lion's share of the best lines, Hepburn more than delivers the goods here, stealing the ripe proceedings from her talented co-stars. To watch her consummate Eleanor is to see the art of acting in its most passionate form. She is a revelation of perks and prods, of vibrant colors and shadings. She inhabits the passion, the power, the breeding, the deceitfulness, the desperate longing owed this character. Imprisonment (for inciting rebellions against her husband), has not dampened the fighting spirit nor dulled the sharp, calculating mind of this Queen. As in chess, this player is the game's most venturesome and versatile piece, and Hepburn more than lives up to its reputation, a worthy opponent with the best odds to check-mate her King. I have been known to say that the four-time Oscar winner was awarded for all the wrong movies -- excepting this one. She is unforgettable.
Topped with a glorious, inspiring, sometimes furious score (Oscar-winner John Barry), "The Lion in Winter" makes up for its stark, one-note surroundings with its bold, rich characters and ingenuous plotting. It is a hallmark of Gothic temperament and tone. As the old adage goes, "it's not who wins, it's how you play the game." 'Tis so true. So let the games begin!
- gbrumburgh
- 28 feb 2001
- Permalink
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- The Lion in Winter
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 18.177 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.339 USD
- 18 dic 2016
- Lordo in tutto il mondo
- 19.268 USD
- Tempo di esecuzione2 ore 14 minuti
- Proporzioni
- 2.35 : 1