L'uomo venuto dal Kremlino

Rome and Papal Rome, the ceremonies associated with both, chant including the Gregorian type are lavishly displayed in this beautiful film. However, all of that would just be decorative were it not for the interesting personages: Father David Telemond's poetically flawed theology pitted against Lakota's "simple" faith that saved him from despair in Siberia. The extraordinary character (played with great beauty and humanity by Leo McKern) of Cardinal Leone whose encyclopedic catechism finally gives way to utter humanity and forgiveness in his final encounter with Quinn now Pope. The scattered negative comments form mostly laudatory reviews, I think, stem from people who can't "get into" the less than obvious moments of dialog which require some patience but also a modicum of background into Rome and its history. Sometimes I fear that Americans (and I'm one) can't sit still for anything that isn't an action picture. For me, and I've seen the film countless times, its beauty both in the evocation of Rome and the extraordinary exchanges between the characters makes it a unique cinematic experience.