VALUTAZIONE IMDb
7,4/10
25.605
LA TUA VALUTAZIONE
In una tradizionale scuola privata in Inghilterra, l'alunno vittima di bullismo, Mick Travis, e i suoi amici decidono di ribellarsi dopo una serie di maltrattamenti e indignazioni.In una tradizionale scuola privata in Inghilterra, l'alunno vittima di bullismo, Mick Travis, e i suoi amici decidono di ribellarsi dopo una serie di maltrattamenti e indignazioni.In una tradizionale scuola privata in Inghilterra, l'alunno vittima di bullismo, Mick Travis, e i suoi amici decidono di ribellarsi dopo una serie di maltrattamenti e indignazioni.
- Nominato ai 2 BAFTA Award
- 2 vittorie e 4 candidature totali
Mary MacLeod
- Mrs. Kemp - Staff
- (as Mary Macleod)
Trama
Lo sapevi?
- QuizA British ambassador called the film "an insult to the nation". The then Lord John Brabourne read an early draft and called it "the most evil and perverted script I've ever read. It must never see the light of day".
- BlooperWhen Mick is standing in front of the Trueform shoe store, the camera and crew members are seen reflected in the windows of a passing bus.
- Citazioni
Mick Travis: One man can change the world with a bullet in the right place.
- Curiosità sui creditiThe film's opening prologue states: Wisdom is the principal thing; therefore get wisdom: and with all thy getting get understanding PROVERBS IV:7
- Versioni alternativeIn the USA, the film was originally released uncut, with an X rating. However, a more commercial rating was preferred and the film was reissued with an R rating after scenes of male frontal nudity were removed from the shower scenes.
- ConnessioniFeatured in Horizont (1971)
- Colonne sonoreSanctus
from the "Missa Luba" (Philips Recording)
Sung by Les Troubadours du Roi Baudouin (uncredited)
Conducted by Fr. Guido Haazen O.F.M (uncredited)
Recensione in evidenza
The best film ever made about school life; the rituals, the drudgery, the humiliation and ultimately the excitement. Anderson's masterpiece works on a number of levels, not least as one of the cinema's great pieces of surrealism. It's a state of the nation movie, a fantasy, an account of public school life told with an almost documentary-like precision and it's as fresh today as it was when it first appeared, (hard to believe that was almost 40 years ago or that Malcom McDowell was ever this young).
Using Jean Vigo's "Zero De Conduite" as a template, (it's not a remake), Anderson's movie is quintessentially youthful and so accurately does it depict its milieu as to appear almost arrogant. He handles revolution with a grandstanding authority and homosexual, (and heterosexual), schoolboy yearning more romantically than any other film I can think of, (Wallace's display in the gymnasium as blonde, beautiful, tousle-haired Bobby Phillips looks on is blissfully homo-erotic), and he does this with a masterly control of the medium. (His comments about financial restraints dictating the fluctuations between black-and-white and colour photography may well be true but the choices seem inspired, nevertheless and the great Miroslav Ondricek's camera-work is superb).
He was also a great actor's director, often working with many of the same actors both in theatre and in cinema and he extracts marvellous performances from the likes of Arthur Lowe, Peter Jeffrey, Mona Washborne and Geoffrey Chater representing the Establishment as well as pitch-perfect performances from David Wood, Richard Warwick, Rupert Webster, Robert Swann and Hugh Thomas, all new to cinema, as the students.
The film made Malcom McDowell a star and for a few short years, (here, in "O Lucky Man", as Alex in "A Clockwork Orange"), that star burned brightly before he sold out to Hollywood and his career began to flounder in a series of mediocre American movies, reaching a nadir with "Caligula". But his performance as Mick Travis is a marvel and both it and the film that first encapsulated it remain among the finest achievements in British cinema.
Using Jean Vigo's "Zero De Conduite" as a template, (it's not a remake), Anderson's movie is quintessentially youthful and so accurately does it depict its milieu as to appear almost arrogant. He handles revolution with a grandstanding authority and homosexual, (and heterosexual), schoolboy yearning more romantically than any other film I can think of, (Wallace's display in the gymnasium as blonde, beautiful, tousle-haired Bobby Phillips looks on is blissfully homo-erotic), and he does this with a masterly control of the medium. (His comments about financial restraints dictating the fluctuations between black-and-white and colour photography may well be true but the choices seem inspired, nevertheless and the great Miroslav Ondricek's camera-work is superb).
He was also a great actor's director, often working with many of the same actors both in theatre and in cinema and he extracts marvellous performances from the likes of Arthur Lowe, Peter Jeffrey, Mona Washborne and Geoffrey Chater representing the Establishment as well as pitch-perfect performances from David Wood, Richard Warwick, Rupert Webster, Robert Swann and Hugh Thomas, all new to cinema, as the students.
The film made Malcom McDowell a star and for a few short years, (here, in "O Lucky Man", as Alex in "A Clockwork Orange"), that star burned brightly before he sold out to Hollywood and his career began to flounder in a series of mediocre American movies, reaching a nadir with "Caligula". But his performance as Mick Travis is a marvel and both it and the film that first encapsulated it remain among the finest achievements in British cinema.
- MOscarbradley
- 2 gen 2008
- Permalink
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- Tempo di esecuzione1 ora 51 minuti
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- 1.66 : 1
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