Aggiungi una trama nella tua linguaA dramatization of the story of legendary movie actor James Dean. The film's writer, William Bast, had roomed with Dean in the early '50s, when both were trying to break into films as actors... Leggi tuttoA dramatization of the story of legendary movie actor James Dean. The film's writer, William Bast, had roomed with Dean in the early '50s, when both were trying to break into films as actors.A dramatization of the story of legendary movie actor James Dean. The film's writer, William Bast, had roomed with Dean in the early '50s, when both were trying to break into films as actors.
- Regia
- Sceneggiatura
- Star
- Jan
- (as Heather Menzies)
- Secretary
- (as Chris White)
- Psychiatrist
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizChristine White, who plays a secretary, was once James Dean's real-life girlfriend. They were accepted into the Actors Studio together. This film was her final one.
- Citazioni
[opening narration]
Narrator: His name was James Byron Dean. He was an actor. He died in 1955 at the age of 24. He had starred in just three pictures, only one of which had been released prior to his death. Yet before he was in his grave he was already a myth. What you are about to see is one man's recollection - an image of the actor as seen through the eyes of a friend. Like all memories in is intensely personal, elusive and incomplete - yet it refuses to die.
- ConnessioniReferences The James Dean Story (1957)
That Dean was able to achieve so much in such a short span, while being completely uncompromising in his quest for artistic excellence, is remarkable. That he was able to do this while indulging in a totally nonconformist lifestyle, both in New York and Hollywood, is little short of amazing.
What Dean seemed to have going for him here was an endowment of genuine, natural talent, very good looks, and business-career acumen, which he could use to be both ingratiating and charming when required. It is said his presence and work in films had a great affect on the then leading exponent of the "method school of acting," Marlon Brando. Dean's early demise seemed to affect Brando's work significantly, as though it ended the Great Brando Period (1950-58) thereafter never to be restored.
While I appreciate the Dean legacy, I do feel that a life lived on-the-edge tends to be hard to sustain in the long run. It risks the possibility of soon "having the tail chase the dog": requiring one to forever live up to one's own public and private image. Existing in the fantasy world of acting is challenging enough without the added ingredient of rebellion to cope with. Dean's premature burnout and expiration seemed a direct consequence of his abnormally driving ambition and impregnably uncompromising stance. Thus, while we are the appreciative recipients of his rich legacy, he remains its ultimate sacrifice. The highly experienced Stephen McHattie shines as Dean, while the talented Michael Brandon portrays Dean's best friend, William Bast.
What a phenomenon Dean is. With only three major films to his credit, and his stage and tv work but a memory in the minds of a relative few, Dean is still able to enter into the ranks of screen immortals. Perhaps it was worth it after all.
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- James Dean: Portrait of a Friend
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